Showing posts with label Eric Thibodeaux-Thompson. Show all posts
Showing posts with label Eric Thibodeaux-Thompson. Show all posts

Thursday, April 12, 2012

Opening Tonight: Tracy Letts' "Superior Donuts" at Heartland Theatre

Tracy Letts hit it big with "August: Osage County," a scorching play about family bonds and family destruction that earned him the 2008 Pulitzer Prize for Drama. He has been a member of Chicago's Steppenwolf ensemble since 2002, appearing as an actor there in a range of plays from "Glengarry Glen Ross" to "Who's Afraid of Virginia Woolf?" But "Superior Donuts," which opened at Steppenwolf in 2008 before transferring to Broadway, is the first play Letts has written set in his adopted hometown.

Everything about "Superior Donuts" says Chicago. There's a Polish-American guy from Jefferson Park who owns a doughnut shop in Uptown, and his store is frequented by a streetwise kid whose mom works in the cafeteria at Senn, an Irish-American cop, a gambler from Bridgeport, and a Russian immigrant from down the street who owns an electronics store. It has a real neighborhood feel, focusing on the kind of family-owned business that has always been a mainstay in Chicago but is disappearing in the wake of Starbucks and Krispy Kreme on every corner. If nothing else, "Superior Donuts" serves as a comment on and commemoration of a distinctive Chicago way of life, marked in time before it's gone completely.

Heartland Theatre Company and director Eric Thibodeaux-Thompson bring "Superior Donuts" and its Chicago stylings to Normal beginning tonight, with performances running through April 29. You can see the complete list of performances here if you're interested in choosing a night that suits your schedule. Reservations are strongly encouraged, except for opening night, which is a special Pay-What-You-Can preview performance where no reservations are accepted.

What's great about "Superior Donuts" is its heart. That may seem odd coming from the guy who wrote "Bug" and "Killer Joe," but friendship and camaraderie, forming a family unit from people of different ages and backgrounds, is what "Superior Donuts" is all about.

In Heartland's production, Michael Pullin plays Arthur Przybyszewski (it's pronounced Shu-ber-shev-ski), the world-weary man inside the doughnut shop, while Gregory D. Hicks takes on the role of Franco Wicks, an energetic black kid who needs a job and gets his foot in the door in Arthur's store.

Pullin has been seen many times on area stages, most recently as a wealthy stamp collector (and the polar opposite of Arthur Przybyszewski) in "Mauritius." He is also Heartland Theatre's resident scenic designer, and, yes, he did the "superior" set you'll see in "Superior Donuts."

Hicks is active with New Route Theatre and ISU's Black Actors Guild, where he coordinated and appeared in "The Mystical Willie Lynch" last month, and he appeared in Heartland Theatre's "Three for the Show" and 10-Minute Play Festival in 2010.

The supporting cast includes Heartland board president Todd Wineburner, who was seen to such good effect in Deborah Zoe Laufer's "Sirens" at Heartland last fall, and Clark Abraham, who did excellent work in Joel Drake Johnson's "The End of the Tour" last spring. Wineburner plays Max, the friendly (and ambitious) Russian from down the street, while Abraham portrays Luther Flynn, a scary bookie who doesn't look kindly on people who owe him money.

They are aided by Cathy Sutliff and Marcus Smith as a pair of beat cops who keep coming back to Superior Donuts, Holly Klass as a slightly dotty bag lady who thinks of the place as her own, and Aric Rattan and Jay Hartzler as two different kinds of muscle.

"Superior Donuts" is at times funny, profane, sweet, profound and affecting. It fits perfectly within Heartland Theatre's commitment to offer theater that means something, that touches the human heart and expounds on the human condition. You may leave yearning for doughnuts or for old school neighborhood stores, but you will also find a fulfilling dramatic experience.

SUPERIOR DONUTS
By Tracy Letts

Heartland Theatre Company

Director: Eric Thibodeaux-Thompson
Scenic Designer: Michael Pullin
Lighting Designer: Jesse Folks
Costume Designer: Lauren Lowell
Fight Choreographer: Tony Pellegrino
Stage Manager: Rachel Krein

Cast: Clark Abraham, Jay Hartzler, Gregory D. Hicks, Holly Klass, Michael Pullin, Aric Rattan, Marcus Smith, Cathy Sutliff, Todd Wineburner.

Running time: 2:20, including one 10-minute intermission

Performances: April 12-14, 19-21 and 26-28 at 7:30 pm and April 15, 22 and 29 at 2 pm.

Box office: http://heartlandtheatre.org/boxoffice.html or call 309-452-8709

Tuesday, March 13, 2012

Heartland Announces Cast for Upcoming "Superior Donuts"

Tracy Letts' award-winning "Superior Donuts" is coming to Heartland Theatre in April, with Eric Thibodeaux-Thompson, associate professor at University of Illinois-Springfield, directing a cast that includes Michael Pullin, Gregory D. Hicks, Todd Wineburner, Clark Abraham, Cathy Sutliff, Marcus Smith, Holly Klass, Aric Rattan and Jay Hartzler.

The poster from Steppenwolf's "Superior Donuts"
"Superior Donuts" is a Chicago play, Letts' first set in his adopted hometown, and it premiered at Steppenwolf Theatre Company, with Michael McKean (the Lenny half of Lenny and Squiggy from "Laverne and Shirley" and then immortalized as David St. Hubbins in "This Is Spinal Tap") and Jon Michael Hill (who stepped straight from the theater department at U of I to the Steppenwolf ensemble) in the lead roles. McKean played Arthur Przybyszewski, the owner of a neglected doughnut store in Chicago's Uptown neighborhood, while Hill created the role of Franco Wicks, a smart kid who talks his way into a job at Arthur's store. Franco has dreams of becoming the next great American poet, but he's got some bad decisions and bad connections from the past that are standing in the way. Both Arthur and Franco need to overcome the past in order to have a future, whether that future involves doughnuts or not.

The play's themes of personal growth, connection and redemption are universal, and they fit nicely within Heartland's missions "to explore the human condition through the art of theatre" and to call "attention to the experience of being human and the shared pain, joy, sorrow and celebration that it entails." There is pain, joy, sorrow and yes, even a celebration in "Superior Donuts."

For Heartland, Michael Pullin, just seen as Sterling, the ruthless stamp collector, in "Mauritius," will play Arthur, while Gregory D. Hicks, who has recently performed in "The Women of Lockerbie" at ISU and "The Mystical Willie Lynch" with ISU's Black Actors Guild, will take on the role of Franco.

Todd Wineburner, who last appeared at Heartland in Deborah Zoe Laufer's "Sirens" in November, is slated to play Max Tarasov, the friendly (and ambitious) Russian down the street, with Clark Abraham, seen in Joel Drake Johnson's "The End of the Tour" last spring, as Luther, the loan shark who has no compunctions about keeping his minions in line, with whatever means necessary.

Cathy Sutliff and Marcus Smith will play the pair of cops who hang out at Arthur's shop, often running into another patron, a lady who goes by the name of Lady, played by Holly Klass. Rounding out the cast are Aric Rattan and Jay Hartzler, playing Luther's henchman and Max's nephew respectively.

"Superior Donuts" opens at Heartland on April 12, with performances through April 29. No word yet on whether they will be offering doughnuts at intermission, but we can hope!


Friday, February 17, 2012

Auditions Set for Heartland's "Superior Donuts"

Heartland Theatre and director Eric Thibodeaux-Thompson have announced audition dates for Heartland's upcoming production of Tracy Letts' "Superior Donuts," a play set in Chicago which premiered at Chicago's Steppenwolf Theatre in 2008. The Steppenwolf production, directed by Tina Landau, went directly to Broadway with the same cast, including Michael McKean ("This Is Spinal Tap"), as well as Jon Michael Hill and James Vincent Meredith, both U of I alums. Hill was nominated for a Tony Award for his performance.

"Superior Donuts" is about a shop by that name, run by a leftover hippie sort of guy named Arthur Przybyszewski (pronounced more like "Shubashevski") in Chicago's Uptown neighborhood. The shop has definitely seen better days and everybody seems to accept its inevitable doom. Except for Arthur, who refuses to change or move or... Do much of anything. But then a fast-talking kid named Franco, who sees himself as a poet, comes by, trying to convince Arthur to give him a job, let him take over the doughnut-making operation, and see if together they can revive the shop. There are complications, of course, arising from Franco's connections to the mob, his attempts to write the Great American Novel, and a buy-out offer for the doughnut shop from the friendly (maybe too friendly) Russian down the street. "Superior Donuts" is peopled with eccentric, amusing, off-beat characters, especially Arthur and Franco, but also the crazy lady off the streets who cadges a doughnut every day, the neighborhood cops who always stop by, the Russian and his silent (and imposing) nephew, and even a scary loanshark and his associated muscle.

Director Thibodeaux-Thompson is looking for actors to fill these roles:
  • Arthur Przybyszewski, Polish-American, 59 
  • Franco Wicks, African-American, 21
  • Max Tarasov, Russian, 49 
  • Kiril Ivakin, Russian, 35 
  • Lady Boyle, Irish-American, 72 
  • Officer Randy Osteen, Irish-American, 49 
  • Officer James Bailey, African-American, 43 
  • Luther Flynn, Irish/Italian-American, 45 
  • Kevin Magee, Irish-American, 28 

Auditions will be held at Heartland Theatre on Sunday and Monday, February 26 and 27, from 7 to 10 pm both nights. Thibodeaux-Thompson will hold callbacks on Tuesday, February 28th from 7 to 10, and performances are scheduled for April 12 to 15, 19 to 22, and 26-29.

If you need more information, click here.

I haven't seen Heartland's poster for the play yet, so I have scattered some art from other productions throughout this notice just to give you an idea of the mood of the play. Enjoy!