Wednesday, May 22, 2013

LES GIRLS Is Just Too Too!

When Les Girls, a 1957 movie musical directed by George Cukor, came up on the Turner Classic Movies schedule, I realized I hadn't seen it since... Well, in a very long time. Whether it came up on my local Late, Late Show in 1966 or 1970 really doesn't matter. I did see it when I was young, even if I didn't remember much.What stuck with me was a) Gene Kelly as an entertainer taking his show on tour around Europe, b) Kay Kendall as one of the three women in his act, and c) big technicolor production numbers to show off a tuneful Cole Porter score.

And, yes, that's all still there. What I didn't remember was the Rashomon-style storyline, set into motion by a tell-all memoir written by Kendall's Lady Sybil. After she characterizes the romantic events that transpired during their show biz days in a rather lurid fashion, she ends up in court, sued for libel by Angèle Ducros, the French member of the trio, played by Finnish actress Taina Elg. (I knew Elg from her days as Olympia Buchanan, presumed dead wife of One Life to Live patriarch Asa Buchanan, as well as a stint as Guido's mother in Kopit and Yeston's Nine, which happens to be the first Broadway show I saw, with, yes, Elg in the cast. But I did not remember her from Les Girls at all.)

On the witness stand, Sybil stands pat with her story about an affair between Angèle and Kelly's Barry Nichols that ended badly, while Angèle says Sybil was the one involved with Barry. Oh, and she was a major lush to boot. To try to figure out who's telling the truth, Barry Nichols himself takes the stand, but his story... Doesn't accord with either of theirs. Instead, he matches himself with Joy Henderson, the American member of the female trio, played as a straight arrow/good girl by Mitzi Gaynor.

Each story involves singing and dancing with Gene Kelly front and center (of course) and some romantic hijinks. Even though that includes a suicide attempt, alcoholism and lying, the tone of the movie is silly and bright, befitting the Cole Porter score and such tunes as the cheeky "Ladies in Waiting," bouncy (and kind of crazy) "You're Just Too Too!" and "Why Am I So Gone (About the Gal)?," which attempts to cast Kelly as a motorcycle tough in a leather jacket. Yeah, that doesn't work. At all.

But the movie is a lot of fun, and Kay Kendall, a star who died much too young, is really quite adorable. Gaynor is also fun, even if she is MIA for the first 2/3 of the movie. And I admit it, the storyline hooked me enough to keep going to get to the end and find out "the truth." What is the truth? Les Girls doesn't really answer that question, and it never quite pulls off the mix of dark humor, sly innuendo and fizzy pop it's looking for.

Les Girls was Gene Kelly's last movie for MGM until he did That's Entertainment! in 1974. Kendall did only The Reluctant Debutante with husband Rex Harrison and Once More with Feeling after Les Girls. As a testament to Kelly at MGM and Kendall's career, Les Girls is certainly worth a look.

Tuesday, May 21, 2013

2013 Drama Desk Awards (Including Our Very Own Nominees)


How exciting was it when Illinois Wesleyan alum Deanna Jent and Illinois State University's Lori Adams and John Stark took Jent's play Falling to New York after a smash engagement in St. Louis? Adams, who is head of acting in ISU's School of Theatre and Dance, directed Jent's play, with scenic design by Stark, who is head of design and production at ISU. The little play that could and its Minetta Lane production scored Drama Desk nominations for Jent for Outstanding Play as well as actors Daniel Everidge and Julia Murney. And that's about as major as it gets.

Broadway World photo of Jent and Adams on opening night
Photo credit: Walter McBride

Fellow nominees included the likes of Annie Baker, David Byrne, Christopher Durang, Tom Hanks, Nathan Lane, Tracy Letts, Bette Midler, Vanessa Redgrave, Tony Shalhoub and Cicely Tyson.

The Drama Desk Awards are the only major New York awards to nominate and honor Broadway, Off-Broadway and Off-Off Broadway shows in the same categories of competition. And that allows all the New York theatrical folk who cross those boundaries to be together for one night of big fun and excitement.

Sunday night, the Drama Desk Awards were handed out at Town Hall in Midtown Manhattan, with Christopher Durang's mixed-up Chekhovian comedy Vanya and Sonia and Masha and Spike taking honors in the Outstanding Play category and Matilda, a musical version of the Roald Dahl novel with book by Dennis Kelly and music and lyrics by Tim Minchin, named Outstanding Musical. The Broadway transfer of the Steppenwolf Theatre Company production of Who's Afraid of Virginia Woolf took the Drama Desk Award for Outstanding Revival of a Play, while Stephen Schwartz and Roger O. Hirson's Pippin won in the Outstanding Revival of a Musical or Revue category.

Acting honors were spread around, with winners including Virginia Woolf's Tracy Letts, Cicely Tyson for her performance in The Trip to Bountiful, Billy Porter in Kinky Boots and Laura Osnes in Cinderella. In the "featured" categories, Richard Kind (The Big Knife), Judith Light (The Assembled Parties), Bertie Carvel (Matilda) and Andrea Martin (Pippin) took home the trophies.

The Outstanding Director awards both went to women directors, with Pippin's Diane Paulus and Virgina Woolf's Pam MacKinnon honored.

To see the complete list of nominees and winners, click here.

Saturday, May 18, 2013

Is Your Favorite Show Coming Back?

As we reach the end of the 2012-13 TV season, the networks have been busy pulling the plug on some shows and offering lifelines to others. If you're confused about what's coming back and what's not, here is a handy list. (And I hope your favorites are all safe in that long "renewed" list.)

CANCELLED/WRAPPED/BUH BYE

1600 Penn (NBC)
30 Rock (NBC)
666 Park Avenue (ABC)
90210 (CW)
Animal Practice (NBC)
Ben and Kate (Fox)
Body of Proof (ABC)
CSI: NY (CBS)
Cult (CW)
Deception (NBC)
Do No Harm (NBC)
Don’t Trust the B in Apt. 23 (ABC)
Emily Owens MD (CW)
Family Tools (ABC)
Fringe (Fox)
Go On (NBC)
Golden Boy (CBS)
Gossip Girl (CW)
Guys with Kids (NBC)
Happy Endings (ABC)
How to Live With Your Parents (For the Rest of Your Life) (ABC)
The Job (CBS)
Last Resort (ABC)
Made in Jersey (CBS)
Malibu Country (ABC)
Mob Doctor (Fox)
Mobbed (Fox)
The New Normal (NBC)
The Office (NBC)
Partners (CBS)
Private Practice (ABC)
Ready for Love (NBC)
Red Widow (ABC)
Rock Center with Brian Williams (NBC)
Rules of Engagement (CBS)
Smash (NBC)
Touch (Fox)
Up All Night (NBC)
Vegas (CBS)
Whitney (NBC)
Zero Hour (ABC)

RENEWED/SAVED/BACK FOR MORE

2 Broke Girls (CBS)
The Amazing Race (CBS)
American Dad (Fox)
American Idol (Fox)
America's Next Top Model (CW)
Arrow (CW)
The Bachelor (and the Bachelorette) (ABC)
Beauty and the Beast (CW)
The Big Bang Theory (CBS)
The Biggest Loser (NBC)
Blue Bloods (CBS)
Bob's Burgers (Fox)
Bones (Fox)
The Carrie Diaries (CW)
Castle (ABC)
Chicago Fire (NBC)
Community (NBC)
Criminal Minds (CBS)
CSI (CBS)
Dancing with the Stars (ABC)
Elementary (CBS)
Family Guy (Fox)
The Following (Fox)
Glee (Fox)
The Good Wife (CBS)
Grey's Anatomy (ABC)
Grimm (NBC)
Hart of Dixie (CW)
Hawaii Five-O (CBS)
How I Met Your Mother (CBS)
Last Man Standing (ABC)
Law & Order SVU (NBC)
The Mentalist (CBS)
The Middle (ABC)
Mike & Molly* (CBS)
The Mindy Project (Fox)
Modern Family (ABC)
Nashville (ABC)
NCIS (CBS)
NCIS: Los Angeles (CBS)
The Neighbors (ABC)
New Girl (Fox)
Nikita* (CW)
Once Upon a Time (ABC)
Parenthood (NBC)
Parks and Recreation (NBC)
Shark Tank (ABC)
Person of Interest (CBS)
Raising Hope (Fox)
Revenge (ABC)
Revolution (NBC)
Scandal (ABC)
The Simpsons (Fox)
Suburgatory (ABC)
Supernatural (CW)
Survivor (CBS)
Two and a Half Men (CBS)
Undercover Boss (CBS)
The Vampire Diaries (CW)
The Voice (NBC)
The X Factor (Fox)

Note that Fox's "The Cleveland Show" is not listed on their Fall 2013 schedule, but it hasn't been officially canceled, either. Others neither here nor there at the moment: "Betty White's Off Their Rockers," "Celebrity Apprentice," "Hannibal" and "Fashion Star," all on NBC.

*"Mike and Molly" has been renewed but won't be back till mid-season, while "Nikita" has been renewed just to come back with six episodes mid-season and finish off the show's story.

Wednesday, May 15, 2013

First Peak at Meryl, Julia, Ewan, Etc. in AUGUST: OSAGE COUNTY (the Movie)

Tracy Letts' angsty family drama August: Osage County was a barnburner as a play, winning the 2008 Pulitzer Prize for Drama as well as six Joseph Jefferson Awards for the original Chicago production at Steppenwolf and five Tony Awards and a host of other prizes for the subsequent Broadway version. After all the acclaim, it was only a matter of time before Hollywood got ahold of the play and, well, Hollywoodized it.

With director John Wells (The Company Men) at the helm, August: Osage The Movie is gearing up, with a cast that includes Meryl Streep, Julia Roberts, Ewan McGregor, Chris Cooper, the man with the best name in entertainment history -- Benedict Cumberbatch -- and Mr. American Icon himself, Sam Shepard.

The movie isn't slated to be released till November, which is primo Oscar turf, but a trailer is already circulating on the internet. And creating speculation as to how exactly this star-studded movie version will resemble the play everybody loved so much. For one difference in tone, you can compare the movie poster above to the Broadway lobby card at right.

Doug George at the Chicago Tribune is worried that the trailer looks way too sweet and heartwarming to be the caustic August: Osage County that made such a splash, while Deadline calls it "cheery" and Margaret Lyons at Vulture thinks it has a "knowing quirk-factor" that doesn't really fit the play. You can judge for yourself by watching the trailer at any of those links.

If you'd like to keep track of who's been changed to whom from Broadway to Hollywood, here's a handy chart of the roles and who's playing what:

                                                        Broadway                      Movie
VIOLET WESTON              Deanna Dunagan           Meryl Streep
BEVERLY WESTON              Dennis Letts              Sam Shepard
BARBARA FORDHAM         Amy Morton               Julia Roberts
BILL FORDHAM                     Jeff Perry                Ewan McGregor
JEAN FORDHAM               Madeleine Martin         Abigail Breslin
KAREN WESTON             
Mariann Mayberry         Juliette Lewis    
IVY WESTON                       
Sally Murphy          Julianne Nicholson
STEVE HEIDEBRECHT    
Brian Kerwin           Dermot Mulroney
CHARLES AIKEN              
Frances Guinan             Chris Cooper
LITTLE CHARLES              
Ian Barford           Benedict Cumberbatch
MATTIE FAE AIKEN          
Rondi Reed              Margo Martindale
JOHNNA                            
Kimberly Guerrero         Misty Upham

Feel free to read the play, create your own fantasy cast, and be all primed to compare/contrast by November.

Tuesday, May 14, 2013

ARRESTED DEVELOPMENT: Bananas and Trailers and Episodes, Too

There's always money in the banana stand! Everybody who's seen Arrested Development, once a small pocket of television excellence in the Fox lineup, canceled (while fans sent thousands of rubber bananas to Fox execs to try to save it) in 2006 and then revived for fifteen new episodes on Netflix, knows the axiom about the banana stand. Right?

After a long wait, fans are eagerly anticipating those fifteen episodes, scheduled to begin begin May 26. There's even a trailer for the new Netflix season floating around the net, which you can watch here in high def on Youtube. Exciting, yes?

In the meantime, the Bluth family banana stand has shown up in Manhattan and it's actually selling frozen bananas all week. Yesterday, the Arrested Development twitter account (@arresteddev) tweeted, "Today on , have your banana and eat it too at the banana stand diagonal to Radio City Music Hall 11am-6pm pic.twitter.com/d3nKgjYtSO."


The stand shown in the photo above will be traveling to different locations around Manhattan (Columbus Circle today, the 14th), so if you're in New York City, keep an eye on that twitter feed to see where you, too, can score a Bluth frozen banana. You can also see more pictures and get more info at HuffPo, who covered the banana stand up close and personal.

No, there is no indication that Jason Bateman or any other actor who plays a Bluth will be actually staffing the banana stand. Although I would pay good money to see Will Arnett in a banana suit, dangling over the stand by way of a crane, if anybody wants to arrange that. He could use some pants, however.


Wherever you are, you need to mark your calendar for Sunday, May 26, when all fifteen new episodes will show up at once on Netflix. It's part of a new strategy to blast you with entertainment and let you choose when to watch. And make no mistake -- I will be watching. Probably all fifteen at once.

Monday, May 13, 2013

Still Time to Enter That New Play from the Heartland

If you are a playwright from Illinois, Indiana, Iowa, Kentucky, Michigan, Missouri, Minnesota, Ohio or Wisconsin, it's time to put the final touches on your one-act play and get it in under the wire for Heartland Theatre's New Plays from the Heartland competition. The deadline is midnight May 15th, with submissions accepted electronically through the Heartland website.


The theme this year is "The AHA Moment," which means that Heartland's judging panel will be looking for plays that feature a wake-up call, an instant of discovery or a lightbulb flashing in someone's brain. As Heartland describes it: "Bad. Good. Devastating. A single moment of blinding brilliance. The end of a dream. A whole new direction for your life. All you have to do write us a one-act play that involves an AHA! moment, spoken or unspoken, but straight to the heart. What could be more dramatic?"

You can read the contest rules and regulations here. The final judge this year will be Chicago playwright and screenwriter Mary Ruth Clarke. If you'reinterested in more information about Clarke or the New Plays project, click here for all the details.Clarke will not only choose the three winners to be staged at Heartland in July, but also hold a workshop with the winning playwrights July 12 and speak to the public in an open forum at Heartland on July 11, 2013.

Who knows? You may find your friend or neighbor has penned a play and gotten it on stage. That's the joy of a contest specifically for the Midwest. You may just recognize that playwright, like previous winners Terri Ryburn, Bruce Boeck and Jessica Wisniewski, all with local ties.

Sunday, May 12, 2013

Happy Mother's Day!

Bringing this one back for Mother's Day!

Lists of movie moms inevitably include Stella Dallas, Mildred Pierce and Psycho's mom. Yeah, I'm not going for any of them. Instead, my idea of a movie mom is more like, well, the list below.

Best Movie Mom, Classic Category
Jane Darwell as Ma Joad
My favorite mom in the classic period of Hollywood movies is Jane Darwell in "The Grapes of Wrath." She's not the lead, but she is everything that represents home, love and stability as her family must take to the road in the wake of foreclosure, hunger, death and separation. Born Patti Woodward to a wealthy Missouri family (her dad was the president of a railroad), Darwell was not the kind of poor Okie she played in "The Grapes of Wrath," but she definitely made an impact. The scene where her son, Tom Joad, played by Henry Fonda, tells her that he will be there, the everyman who stands in "Wherever you can look, wherever there's a fight, so hungry people can eat, I'll be there," is probably the most famous bit of "Grapes of Wrath," and Darwell is certainly the anchor in that scene. But I defy anyone not to get a little teary when Ma Joad packs up the remnants of her household, holding up a pair of earrings and looking at her reflection in the side of a metal coffee pot. As she remembers who she used to be and all that she's leaving behind, accompanied by the melancholy sound of the song "Red River Valley," Darwell looks at us, straight ahead, with a subtle yet devastating expression on her soft, worn face, and you see the whole plot, the whole punch of the movie right there. Jane Darwell won an Oscar in the Best Supporting Actress category for her performance, and she certainly deserved it.

Best Movie Mom, Funny Category
"North by Northwest" isn't exactly your standard comedy, but Jessie Royce Landis, who wasn't nearly old enough* to play the mother of her on-screen son, Cary Grant, is so fresh and funny playing a sardonic society mother who totally and completely has her playboy son's number, that you'll forget the Hitchcockian suspense and just smile every time she's on screen. Landis had an extensive Broadway career before and after her screen debut in "At Your Service" in 1930. On Broadway, she played Jo in "Little Women" and Hermione in "The Winter's Tale," and on film, she was Grace Kelly's wise and witty mother in "To Catch a Thief" a few years before she played Cary's mum in "North by Northwest." Clearly, she'd have been a better match for Mr. Grant than a mother, but it's all good. Jessie Royce Landis did the knowing eye-roll better than just about anybody.

Mr. Grant and Ms. Landis in "North by Northwest"

Best Movie Mom, Most Like a Real Mom Category
ET with Dee Wallace
I remember a friend opining that Steven Spielberg creates good movie moms. I think that's true, with none more real and warm and just all-around mom-a-riffic than Dee Wallace in "E.T.: The Extra-Terrestrial." Wallace's Mary doesn't do anything special or spectacular; she just goes about her business as a caring, loving single mother to her children, Elliott (Henry Thomas) and Gertie (Drew Barrymore), even when an alien starts living in her son's closet. If I were under ten again, I'd pick this modern, lovely, regular-old mom for my family. Dee Wallace has been in a ton of horror movies, giving them the same grounded, real presence she provides in "E.T." And she showed up last season on "The Office," once again playing a mother. (This time she was Andy Bernard's mom.)

Best Movie Mom,Cartoon Category
Elastigirl and Her Voice, Holly Hunter
Holly Hunter has done at least two memorable film moms, with her barren-but-yearning, babynapping "Ed" in "Raising Arizona" making an impact, along with her sweetly fierce Helen (AKA Elastigirl) in "The Incredibles." Moms with superpowers probably deserve a category of their own, but what makes Helen stand out is how normal she is, even in her spandex suit, and how well she looks out for her kids and her husband, even in the face of assaults from supervillains. Hunter also deserves mention for making Helen feel real and sympathetic simply through the use of her voice.

Best Movie Mom, Musical Category
Meryl Streep in "Mamma Mia"
Meryl Streep has played a lot of moms in her career, and if we'd seen more than just a flashback where she saves her kids and the family cat in "Defending Your Life," I might be inclined to pick that luminous and lovely performance. But, alas, she's more "romantic heroine" and less "mom" in that one. I'm sure she's picked for "Sophie's Choice" a lot, too, but that is such a difficult and terrible movie for any mother that I'm not going there, either. So I'm going with "Mamma Mia," where she plays against type as a goofy, hippyish mother who isn't sure which of her three boyfriends from the past is the father of her daughter. "Mamma Mia" is certainly not the best musical around, but Streep is delightful, dancing around in her overalls, nothing like the Grande Dame of the American Screen, making herself absolutely convincing in an otherwise not-believable-in-the-least movie.


*The oft-repeated story is that Landis was almost a year younger than Grant, which the Internet Broadway Database thinks is the correct information. The Internet Movie Database, however, has Landis born in 1896, making her 7-and-a-bit years older than Grant. Certainly not old enough to be his mother, but at least not younger. Who's right? My husband, who likes genealogical research, has located Jessie Medbury (her birth name) on the 1900 Chicago census as a three-year-old, and then again on the 1910 and 1920 censuses when she was 13 and 23, respectively. So my household is going with 1896 as Jessie Royce Landis's year of birth.