Wednesday, September 28, 2016

One of This Year's MacArthur "Geniuses" Is Playwright Branden Jacobs-Jenkins

Playwright Branden Jacobs-Jenkins, whose plays are marked by their originality of expression, provocative ideas and upending of history, has been announced among the 23 fellows selected this year to receive the MacArthur Foundation's "Genius Grants." 

Branden Jacobs-Jenkins
Photo credit: John D. & Catherine T. MacArthur Foundation

In singling out Jacobs-Jenkins, the MacArthur Foundation noted:
"Many of Jacobs-Jenkins's plays use a historical lens to satirize and comment on modern culture, particularly the ways in which race and class are negotiated in both private and public settings. Although the provocation of his audience is purposeful, Jacobs-Jenkins's creation of unsettling, shocking, often confrontational moments is not gratuitous; these elements are of a piece with the world he has established on stage and in the service of the story he is telling."
 That goes to the heart of what is so special about his work, but what is so hard to express. In plays like Neighbors, Appropriate, An Octoroon and Gloria, he takes American culture and history -- including the history of theater -- and complicates it, tossing it in the air and remaking it before your very eyes. Oh, I see, you say to yourself. That's not what I thought going in. It looks different now... The theatricality of his expression reshapes your imagination. And isn't that what theater is for?

If Neighbors and its "minstrel show next door" is outrageous and shocking, Appropriate is more subtle in the way it puts our country's dark racial history front and center, An Octoroon is both funny and clever as it reworks an old piece of Americana, and Gloria moves to the work place to look at a different kind of dysfunctional family. They're each different, probing and insightful.

And they make Branden Jacobs-Jenkins a perfect "genius" to celebrate.

Tuesday, September 27, 2016

ISU's Fall Season Begins Friday September 30th with WAIORA by Hone Kouka

The name Hone Kouka may be unfamiliar to American audiences, but his success as a playwright, actor, director and screenwriter has brought him a great deal of attention in his native New Zealand.

Kouka won an Order of Merit "for services to contemporary Māori theatre" in 2009, and his play, Waiora, which was commissioned for the New Zealand International Festival of the Arts in 1996, has been performed widely there, as well as internationally. Its central messages of family, displacement and a search for something that feels like home have struck a chord around the world.

When Waiora was brought back to the Court Theatre in Christchurch, New Zealand, this year, reviewer Charlie Gates said, "Waiora may be a play about the very specific struggles of a Māori family moving to the South Island, but it is so finely observed that it speaks to universal human feelings of belonging, yearning, crushed dreams and the importance of being true to your own heritage."

Waiora comes to Illinois State University this weekend, in a production directed by Kim Pereira, with a cast led by Thomas Russell as Hone, the father of the Māori family that moves from the North Island in New Zealand to a more urban life in the South. Brandi Jones plays mother Wai, Emilia Dvorak is older daughter Amiria, who embraces the city and its possibilities, Hannah Spohnholtz is younger daughter Rongo, the one in the family having the hardest time giving up on what they left behind, and Alex Levy takes on the role of Boyboy, the youngest child, who is like his father in many ways, but doesn't have an easy time following his lead.

On the South Island, Hone and his family are confronted by two "Paheka," which means they are not Māori, but white people of European descent. For ISU, Mac Byrd plays Steve, the owner of the local mill, who thinks Hone should dance to his tune if he wants to make it, and Emma Harmon plays schoolteacher Louise, who considers herself an outsider like her new pupils.

William Brown, Anastasia Ferguson, Anthony Harden, Cayla Jones and Chloe Szot form the Tīpuna, a group that is akin to ancestors or voices from the past, calling Rongo back to the old ways. (And that's Ferguson you see on the ISU Waiora poster above._

Waiora is certainly not a play you will have other opportunities to see locally, but its "fish out of water" characters, each reacting to change in a different way, should speak to anyone who has moved from a small town to a big one, migrated from one country and one culture to another, or struggled with assimilation as a way to move up society's ladder. 

For more of a context for the play, I recommend this ten-minute video piece, which includes interviews with playwright as well as the director and several cast members from the first production of the play at the New Zealand International Festival of the Arts in 1996.

Waiora opens at 7:30 pm on September 30 at Illinois State University's Center for the Performing Arts, with performances continuing through October 9. Tickets range from $12 to $17 and they are available in person at the CPA Box Office, which is open from 11 am to 5 pm Monday through Friday, or by phone at 309-438-2535. If you prefer to do your ticket-buying through Ticketmaster, that's a choice, too.

Monday, September 26, 2016

Conklin Players Bring FOREVER PLAID to Five Points Washington Sept 30 to Oct 2


You may remember the intrepid troupe who put on shows at the Barn II Dinner Theatre in Goodfield. Mary Simon and her Conklin Players were forced to give up their friendly barn when storm damage made it unsafe for shows, but they've managed to keep the entertainment coming, moving their act to Five Points in Washington.

This time, Forever Plaid is on the bill, with performances September 30 and October 1 at 7 pm and October 2 at 2 pm, directed and choreographed by Simon herself. Simon has said that Forever Plaid, a musical revue involving a guy group from about 60 years ago that never quite hit the big-time, is her favorite show ever from the Barn. If you know who The Four Aces, The Four Freshmen or The Four Lads were, you're in the right ballpark for the tuneful boys in plaid.

But before the Plaids had the chance to compete with the likes of the Lettermen and the Hi-Los (or even to get an album out), they were in a bus accident and dispatched to the afterlife. For the purposes of Forever Plaid, the story is that they're returning to the mortal world to sing a little four-part harmony on hits you may recognize -- "Three Coins in a Fountain," "Love Is a Many-Splendored Thing," and, of course, "Moments to Remember" -- as they get one last shot at the brass ring. Or at "Heart and Soul," anyway.

The Plaids will be played by the same actors who took the roles at the Barn 19 years ago. If you saw it then, you already know you'll be seeing Dan Challacombe as Frankie, Pat Gaik as Jinx, Chad Kirvan as Smudge and Dave Windsor as Sparky.

Forever Plaid is a lot of fun and its song list can't be beat, whether you're into "Sixteen Tons" or "The Anniversary Waltz." If you'd like to turn on the Plaid version of the Wayback Machine, you can reserve tickets here on the Five Points site.


Friday, September 23, 2016

TIME BANDITS On Screen Tomorrow to Mark Art House Theater Day

Art House Theater Day is a day set up to celebrate and "recognize the year-round contributions of film and filmmakers, patrons, projectionists, and staff, and the brick and mortar theaters that are passionately dedicated to providing access to the best cinematic experience." It's tomorrow, it's happening at 184 movie theaters across the country, and the two "art houses" closest to us will offer the movie Time Bandits as their celebratory film.

Time Bandits will be screened at the Normal Theater at 1 pm and at the Art Theater Co-op in Champaign at 7:30 pm.

I love Time Bandits, a clever and amusing gem from 1981 directed by Terry Gilliam from a script by Gilliam and Michael Palin. Gilliam was the lone member of the Monty Python troupe from the United States. You didn't see him on telly as an actor as much as the others, but his surreal, off-kilter bits of animation (like the big foot that squashes people in the credits) were there to represent him even when he wasn't showing up as Knight with Chicken or Man Banging on Wall. After Python, he directed seriously strange films like Time Bandits as well as Brazil, Twelve Monkeys and The Fisher King. Intelligence, creativity and an unusual, singular vision mark the Gilliam oeuvre.

Given the title, you might expect Time Bandits to be about people stealing time. Au contraire. Instead, it's about a cadre of six dwarves trying to use portals in time to steal treasure. The thieves have a mysterious map that shows the location of these openings in time; they're intent on using the map to gallivant through history and scoop up loot from the likes of Agamemnon (Sean Connery) and Robin Hood (John Cleese) while staying ahead of the Supreme Being (Ralph Richardson) from whom they pinched the map. One of the holes is inside the bedroom of a young boy, who is pulled along on their mad dash through history, and... Mad dashing ensues.

The art direction is wonderful, the adventures are fun, the cast is excellent across the board, and Time Bandits is a one-of-a-kind movie. It is, in fact, a dandy film to use for Art House Theater Day.

Wednesday, September 21, 2016

Film Noir Goes to School: THE MALTESE FALCON Tonight at the Normal Theater

In addition to Tuesday Night Classics and Friday Night Late Shows, the Normal Theater is hosting a Film Noir series on six selected Wednesday nights, airing classic film noir goodies accompanied by post-show discussions led by William McBride, Associate Professor at Illinois State University.

This new series opens tonight with a quintessential piece of film noir. That would be The Maltese Falcon, starring Humphrey Bogart at his most sardonic and iconic in the role of private investigator Sam Spade. When a mysterious damsel in distress shows up in Spade's office to hire an investigator, he finds himself in murky waters, full of guns, goons, felons and femmes fatales.

Mary Astor is the bad girl in this one, weaving a web of desperation and deceit around everyone she touches. That's her looking languid in the orange dress on the poster above. Who is she? Is she looking for someone to track down the man who kidnapped her little sister? Does she even have a sister? What's her connection to creepy Joel Cairo (Peter Lorre), "fat man" Casper Gutman (Sydney Greenstreet) or Spade's unlucky partner, Miles Archer (Jerome Cowan)? And what does any of that have to do with a piece of art, a rare, jewel-encrusted bird that supposedly dates from the 16th century and the Knights of Malta?

The Maltese Falcon was written and directed by John Huston, who himself starred in a classic piece of film noir when he played the corrupt patriarch in Chinatown in 1973. Huston was a mere 35 when The Maltese Falcon came out in 1941. He'd been acting on Broadway and in films since the 20s and writing for the screen since 1930, but The Maltese Falcon was his first directing job. Over the course of his lengthy career, he was nominated ten times for Oscars, winning two in 1949 for writing and directing The Treasure of the Sierra Madre, and he directed both his father, Walter Huston, and his daughter, Anjelica Huston, to Oscar wins.

His script for The Maltese Falcon adapts a hard-boiled detective yarn by Dashiell Hammett, leaving intact most of its twisty story of crosses and doublecrosses, but losing some of the more salacious bits that couldn't clear the Production Code in 1941. There's still plenty of the cynicism and moody ambiguity that characterize film noir, however.

If you haven't seen The Maltese Falcon, you really need to get to the Normal Theater tonight before 7 pm. These Wednesday night special showings are free, with the added bonus of McBride's film noir discussion afterwards.

Monday, September 19, 2016

Something Old, Something New... Emmy Winners 2016

If there's one thing I've learned about the Emmy Awards after watching them for years and years and years, it's that voters from the Television Academy love to honor the same people year after year after year. I call it the John Larroquette Rule, since he won four Emmys in a row for his role on Night Court. Or maybe I should go with Larroquette/Hunt, since Helen Hunt did the same thing -- four in a row -- for Mad About You. Although they weren't consecutive, Candice Bergen won five Emmys for playing Murphy Brown on Murphy Brown, Rhea Perlman took home four statuettes for playing Carla on Cheers and Don Knotts earned four as Barney Fife on The Andy Griffith Show back in the 60s.

For different roles and performances, Cloris Leachman owns eight Emmys, while Ed Asner has seven, including five for playing Lou Grant (three from his stint with Lou on Mary Tyler Moore and two from Lou Grant.) Yeah, there's no questions that the Emmys gravitate to certain stars.

This year's Emmys did the Larroquette/Hunt Rule one better: Julia Louis-Dreyfus picked up her fifth consecutive Oustanding Lead Actress in a Comedy award for her role as Selina Meyer, the VP in Veep on HBO. Louis-Dreyfus has another Lead Actress Emmy for The New Adventures of Old Christine and a Supporting Actress win for Seinfeld, putting her total at seven. She's gaining on you, Leachman! (Allison Janney and Mary Tyler Moore are also sitting at seven. MTM may come back and snag another one in a guest category and you know Janney will get another three or four before she's done. As will Louis-Dreyfus. It's just a question of who'll get past Leachman first, I suppose.)

Louis-Dreyfus's partner in the comedy lead acting categories was also a repeater, as Jeffrey Tambor picked up his second Outstanding Lead Actor in a Comedy Emmy for playing transgender Maura Pfefferman on Transparent.

Veep was the winner as Outstanding Comedy for a second year, serving notice that Modern Family and its five straight awards were a thing of the past. In supporting categories, Louie Anderson won for playing Zach Galifianakis's mother on Baskets, and Kate McKinnon added to Saturday Night Live's total haul over the years, giving the show its 45th Emmy.

Tatiana Maslany
If the comedy lead actors were same old, same old, the drama leads were brand new, as Tatiana Maslany (Orphan Black) and Rami Malek (Mr. Robot) were both first-time (and much deserving) winners. They also hit my best-dressed list, but more on that later.

One of their supporting pals was a repeat, though, as Maggie Smith took home another award (and didn't show up to accept it one more time) for Downton Abbey. The Outstanding Supporting Actor winner -- Australian actor Ben Mendelsohn for Bloodline -- was a first-time winner, but like Smith, he was not in attendance to accept his trophy.


When it came to shows, Game of Thrones and its Best Drama Emmy (the final award of the night) set a record, too, putting it at 38 overall Emmys and unseating Frasier, which earned a mere 37 in its time, as the series with the most wins ever. In addition to repeating as Outstanding Drama Series, Game of Thrones earned Emmys for director Miguel Sapochnik for the "Battle of the Bastards" episode, as well as for its casting, costumes, editing, makeup, production design, sound mixing, special visual effects, stunt coordination and writing. (Of the four different awards for makeup, Games of Thrones won two, giving them a total of 12 Emmys this year.)

The other big winner was The People v. O.J. Simpson: American Crime Story, which won nine awards. The program took honors as Outstanding Limited Series as well as gathering awards for lead actress Sarah Paulson (who played prosecutor Marcia Clark), lead actor Courtney B. Vance (defense attorney Johnnie Cochrane), supporting actor Sterling K. Brown (prosecutor Christopher Darden) and writer D. V. DeVincentis, along with wins for its casting, editing, hairstyling and sound mixing.

Rami Malek
As I said above, I picked Rami Malek (right) and Tatiana Maslany (above) as two of my fashion favorites even before their names were announced as winners. Maslany wore one of two sensational red gowns that stood out, along with Priyanka Chopra (Quantico).

You can see the entire list of winners here at the Emmys official site. Here are some of the winners in major categories (including a few given out last weekend at the "Creative" ceremony):

OUTSTANDING COMEDY SERIES
black-ish
Master of None
Modern Family
Silicon Valley
Transparent
Unbreakable Kimmy Schmidt
*Veep

OUTSTANDING LEAD ACTRESS IN A COMEDY
*Julia Louis-Dreyfus, Veep
Amy Schumer, Inside Amy Schumer
Ellie Kemper, Unbreakable Kimmy Schmidt
Tracee Ellis Ross, black-ish
Lily Tomlin, Grace and Frankie
Laurie Metcalf, Getting On

OUTSTANDING LEAD ACTOR IN A COMEDY
Anthony Anderson, black-ish
Aziz Ansari, Master of None
Will Forte, Last Man on Earth
William H. Macy, Shameless
Thomas Middleditch, Silicon Valley
*Jeffrey Tambor, Transparent 

OUTSTANDING SUPPORTING ACTRESS IN A COMEDY 
Anna Chlumsky, Veep
Gaby Hoffmann, Transparent
Allison Janney, Mom
Judith Light, Transparent
*Kate McKinnon, Saturday Night Live
Niecy Nash, Getting On

OUTSTANDING SUPPORTING ACTOR IN A COMEDY
*Louie Anderson, Baskets
Andre Braugher, Brooklyn Nine-Nine
Ty Burrell, Modern Family
Tituss Burgess, Unbreakable Kimmy Schmidt
Tony Hale, Veep
Keegan-Michael Key, Key & Peele
Matt Walsh, Veep

OUTSTANDING GUEST ACTRESS IN A COMEDY
Christine Baranski, The Big Bang Theory
*Tina Fey & Amy Poehler, Saturday Night Live
Melora Hardin, Transparent
Melissa McCarthy, Saturday Night Live
Laurie Metcalf, The Big Bang Theory
Amy Schumer, Saturday Night Live

OUTSTANDING GUEST ACTOR IN A COMEDY
Larry David, Saturday Night Live

Tracy Morgan, Saturday Night Live
Martin Mull, Veep
Bob Newhart, The Big Bang Theory
*Peter Scolari, Girls
Bradley Whitford, Transparent  

OUTSTANDING DRAMA SERIES
The Americans
Better Call Saul
Downton Abbey
*Game of Thrones
Homeland
House of Cards
Mr. Robot

OUTSTANDING LEAD ACTOR IN A DRAMA
Kyle Chandler, Bloodline
*Rami Malek, Mr. Robot
Bob Odenkirk, Better Call Saul
Matthew Rhys, The Americans
Liev Schreiber, Ray Donovan
Kevin Spacey, House of Cards

OUTSTANDING LEAD ACTRESS IN A DRAMA
Claire Danes, Homeland
Viola Davis, How to Get Away With Murder
Taraji P. Henson, Empire
*Tatiana Maslany, Orphan Black
Keri Russell, The Americans
Robin Wright, House of Cards 

OUTSTANDING SUPPORTING ACTOR IN A DRAMA
Jonathan Banks, Better Call Saul
Peter Dinklage, Game of Thrones
Kit Harington, Game of Thrones
Michael Kelly, House of Cards
*Ben Mendelsohn, Bloodline
Jon Voight, Ray Donovan

OUTSTANDING SUPPORTING ACTRESS IN A DRAMA
Emilia Clarke, Game of Thrones
Lena Headey, Game of Thrones
*Maggie Smith, Downton Abbey
Maura Tierney, The Affair
Maisie Williams, Game of Thrones
Constance Zimmer, UnREAL

OUTSTANDING GUEST ACTOR IN A DRAMA
Mahershala Ali, House Of Cards
*Hank Azaria, Ray Donovan
Reg E. Cathey, House Of Cards
Michael J. Fox, The Good Wife
Paul Sparks, House Of Cards
Max von Sydow, Game Of Thrones

OUTSTANDING GUEST ACTRESS IN A DRAMA
Ellen Burstyn, House Of Cards
Allison Janney, Masters Of Sex
*Margo Martindale, The Americans
Laurie Metcalf, Horace And Pete
Molly Parker, House Of Cards
Carrie Preston, The Good Wife

OUTSTANDING TV MOVIE
All the Way
Confirmation
Luther
A Very Murray Christmas
*Sherlock: The Abominable Bride

OUTSTANDING LIMITED SERIES
American Crime
Fargo
The Night Manager
*The People v. O.J. Simpson: American Crime Story
Roots

OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR TV MOVIE
Kirsten Dunst, Fargo
Felicity Huffman, American Crime
Audra McDonald, Lady Day at Emerson's Bar and Grill
*Sarah Paulson, The People v. O.J. Simpson: American Crime Story
Lili Taylor, American Crime
Kerry Washington, Confirmation

OUTSTANDING LEAD ACTOR IN A LIMITED SERIES OR TV MOVIE
Bryan Cranston, All The Way
Benedict Cumberbatch, Sherlock: The Abominable Bride
Idris Elba, Luther
Cuba Gooding, The People v. O.J. Simpson: American Crime Story
Tom Hiddleston, The Night Manager
*Courtney B. Vance, The People v. O.J. Simpson: American Crime Story

OUTSTANDING SUPPORTING ACTRESS IN A LIMITED SERIES OR TV MOVIE
Kathy Bates, American Horror Story: Hotel
Olivia Colman, The Night Manager
*Regina King, American Crime
Melissa Leo, All The Way
Sarah Paulson, American Horror Story: Hotel
Jean Smart, Fargo 

OUTSTANDING SUPPORTING ACTOR IN A LIMITED SERIES OR TV MOVIE
*Sterling K. Brown, The People v. O.J. Simpson: American Crime Story 
Hugh Laurie, The Night Manager 
Jesse Plemons, Fargo
David Schwimmer, The People v. O.J. Simpson: American Crime Story
John Travolta, The People v. O.J. Simpson: American Crime Story
Bokeem Woodbine, Fargo

OUTSTANDING VARIETY TALK SERIES
Comedians In Cars Getting Coffee
Jimmy Kimmel Live
*Last Week Tonight With John Oliver
The Late Late Show With James Corden
Real Time With Bill Maher
The Tonight Show Starring Jimmy Fallon

OUTSTANDING VARIETY SKETCH SERIES
Documentary Now!
Drunk History
Inside Amy Schumer
*Key & Peele
Portlandia
Saturday Night Live

OUTSTANDING VARIETY SPECIAL
Adele Live In New York City
Amy Schumer: Live At The Apollo
The Kennedy Center Honors
*The Late Late Show Carpool Karaoke Prime Time Special
Lemonade

OUTSTANDING REALITY COMPETITION PROGRAM
The Amazing Race
American Ninja Warrior
Dancing With The Stars
Project Runway
Top Chef
*The Voice

OUTSTANDING HOST OF A REALITY PROGRAM
Tom Bergeron, Dancing With The Stars
Steve Harvey, Little Big Shots Starring Steve Harvey
Heidi Klum and Tim Gunn, Project Runway
Jane Lynch, Hollywood Game Night
*RuPaul Charles, RuPaul's Drag Race
Ryan Seacrest, American Idol

OUTSTANDING DIRECTION OF A COMEDY SERIES
Chris Addison, Veep
Aziz Ansari, Master Of None
Alec Berg, Silicon Valley
Mike Judge, Silicon Valley
Dave Mandel, Veep
*Jill Soloway, Transparent
Dale Stern, Veep

OUTSTANDING DIRECTION OF A DRAMA SERIES
Jack Bender, Game Of Thrones 
Michael Engler, Downton Abbey
Lesli Linka Glatter, Homeland 
David Hollander, Ray Donovan
*Miguel Sapochnik, Game Of Thrones
Steven Soderbergh, The Knick 

OUTSTANDING DIRECTION OF A LIMITED SERIES, MOVIE OR DRAMATIC SPECIAL
*Susanne Bier, The Night Manager
Noah Hawley, Fargo
Anthony Hemingway, The People v. O.J. Simpson: American Crime Story
Ryan Murphy, The People v. O.J. Simpson: American Crime Story 
Jay Roach, All The Way
John Singleton, The People v. O.J. Simpson: American Crime Story

OUTSTANDING DIRECTION OF A VARIETY SERIES
Dave Diomedi, The Tonight Show Starring Jimmy Fallon
Don Roy King, Saturday Night Live
Tim Mancinelli, The Late Late Show With James Corden
*Ryan McFaul, Inside Amy Schumer
Paul Pennolino, Last Week Tonight With John Oliver

OUTSTANDING WRITING FOR A COMEDY SERIES
*Aziz Ansari and Alan Yang, Master Of None
Alec Berg, Silicon Valley
Rob Delaney and Sharon Horgan, Catastrophe

Alex Gregory and Peter Huyck, VeepDan O'Keefe, Silicon Valley
David Mandel, Veep

OUTSTANDING WRITING FOR A DRAMA SERIES
*David Benioff and D.B. Weiss, Game Of Thrones
Sam Esmail, Mr. Robot
Julian Fellowes, Downton Abbey
Joel Fields and Joe Weisberg, The Americans
Michelle and Robert King, The Good Wife
Marti Noxon and Sarah Gertrude Shapiro, UnREAL

OUTSTANDING WRITING FOR A LIMITED SERIES, MOVIE OR DRAMATIC SPECIAL
Scott Alexander and Larry Karaszewski, The People v. O.J. Simpson: American Crime Story
Joe Robert Cole, The People v. O.J. Simpson: American Crime Story
Bob DeLaurentis, Fargo
*D.V. DeVincentis, The People v. O.J. Simpson: American Crime Story
David Farr, The Night Manager
Noah Hawley, Fargo

OUTSTANDING WRITING FOR A VARIETY SERIES
Full Frontal With Samantha Bee
Inside Amy Schumer
Key & Peele
*Last Week Tonight With John Oliver
Portlandia
Saturday Night Live

OUTSTANDING WRITING FOR A VARIETY SPECIAL
Amy Schumer: Live At The Apollo
John Mulaney: The Comeback Kid
*Patton Oswalt: Talking For Clapping
Tig Notaro: Boyish Girl Interrupted
Triumph's Election Special 2016

And that's all till next year, when there will be no Maggie Smith for Downton Abbey and no People v. O.J. There's no end in sight for Veep or Game of Thrones, however.

Friday, September 16, 2016

Illinois Theatre Offers Reading of Tarell Alvin McCraney's WIG OUT! Tonight

Tonight is the first in a series of new play readings from Illinois Theatre, the producing arm of the department of theater at the University of Illinois in Urbana-Champaign. This project, called Going Broader and Deeper: New Play Reading, focuses on one play each semester, and is offered free of charge. No tickets necessary, in other words.

The play reading will take place at 7:30 pm in the Studio Theatre, the small black-box space in the Krannert Center for the Performing Arts. Actors will read from scripts, but you can expect no costumes, props or staged movement. After the reading, audience members are invited to stay in the theater for a discussion.

Interestingly, the material chosen for this New Play Reading is not what I would call new. Tarell Alvin McCraney's Wig Out! — a play New York Times critic Ben Brantley called a "gutsy, pulsing portrait of uptown drag queens and the men who love them" — was one of seven pieces chosen for development at the Sundance Theatre Institute in 2007, with subsequent productions at New York's Vineyard Theater and at the Royal Court in London in 2008.

The image you see above is the poster from the Vineyard Theater production, while the one below is the cover of the printed script. They both give a good indication of the play's subject matter, which involves a dysfunctional family of drag Cinderellas who live together at the House of Light and what happens when they walk off against House Di'Abolique at a midnight drag ball.

Even with a major New York production, Wig Off! is not all that well-known, not even within McCraney's own body of work, which earned him a MacArthur "genius grant" in 2013. His plays include the celebrated triptych of Brother/Sister plays and Head of Passes, which premiered at Chicago's Steppenwolf Theatre in 2013. McCraney and frequent director Tina Landau are both members of the Steppenwolf ensemble.

New or not, Wig Out! works with the rest of Illinois Theatre's New Play Reading mission, which states:
In order to hear the voices of new playwrights — and in particular, writers from underrepresented populations — Illinois Theatre will present readings of new plays once each semester. An informal setting will allow audiences to experience this work and engage in discussion about the content.
It may be that McCraney has updated or changed Wig Out! since those initial productions back in 2008, that it seems especially timely right now, or that its issues fit so perfectly into Illinois Theatre's 2016 season of "identity, family, history and the stories people tell to make sense of their lives" that they simply couldn't resist giving it a reading.

Look for the Illinois Theatre reading of Wig Out! at 7:30 pm in the Studio Theatre at Krannert Center for the Performing Arts. Admission is free.