Showing posts with label ISU Theatre. Show all posts
Showing posts with label ISU Theatre. Show all posts

Tuesday, October 3, 2017

Juggling Your Dates in October

There's a lot on the calendar in October and I thought a handy reference list might be in order, for me as well as anybody else scrambling to juggle all these dates. Let's get this October party started...


Tuesday, October 3:
  • An all-female All the King's Men from Illinois Theatre continues at Krannert Center at the University of Illinois in the Studio Theatre at 7:30 pm. Through October 8.
  • Illinois Wesleyan University's production of Dancing at Lughnasa opens with an 8 pm performance. Through October 8.

Wednesday, October 4:
  • Professor Bill McBride brings Taxi Driver to the Normal Theater as part of a new Six Week Film School centered on the films of Martin Scorsese.

Thursday, October 5:
  • Prairie Fire Theatre offers a sneak peek at its upcoming production of Starting Here, Starting Now from 5 to 8 pm during a special event at Satio Wine Bar in downtown Bloomington.
  • Waiting for Godot begins at 7 pm from the TwinCitySquared company at Champaign's SoDo Theatre.
  • Parkland Theatre's production of The Crucible continues with a 7:30 pm performance. Through October 8. 
  • The Station Theatre opens its fall season with Title and Deed, starting at 8 pm. Through October 21.


Friday, October 6:
  • Arts@ICC continues its production of Steve Martin's play The Underpants at 7:30 pm. Through October 8.
  • Sticky in the Sticks and their pop-up bar plays return to Firehouse Pizza & Pub in Normal with an 8 pm performance.
  • The new film Victoria and Abdul comes to the Art Theater in Champaign, with screenings at 5 and 7:30 pm. Through October 12.

Saturday, October 7:
  • Illinois Voices Theatre's history walk continues at Evergreen Cemetery. Through October 8.


Friday, October 13:

Thursday, October 19:


Friday, October 20:
  • Prairie Fire Theatre offers Starting Here, Starting Now in the Young Lounge in IWU's Memorial Center, starting at 7:30 pm. Through October 21.

Wednesday, October 25:
  • Young at Heartland's Fall Showcase begins at 7:30 pm at Heartland Theatre. Second showcase is at 2 pm on October 27 at the Normal Public Library.

Thursday, October 26:


Friday, October 27:
  • The ISU School of Theatre and Dance production of She Kills Monsters begins its run at the ISU Center for the Performing Arts at 7:30 pm. Through November 4.
  • Fault Lines opens at 8 pm in IWU's Lab Theatre. Through October 29.

Saturday, October 28:
  • The newly redefined Illinois Voices Theatre holds an open house from 3 to 5 pm at the First Christian Church of Bloomington.

And that's what I have so far. Check back for additions as we proceed through October.

Monday, February 3, 2014

Cabin Fever? Get Out and Find February

I've been on a little vacation and away from my blog, but I know there are all kinds of February things happening that I need to tell you about before it's too late. February be a short month, but it has Groundhog Day, Valentine's Day, Presidents Day, African-American History Month, and this year the Olympics. That's a lot to squeeze into 28 days. Especially when you consider these entertainment options:

Lost Lake, the new David Auburn play getting a try-out under the auspices of the Sullivan Project, opens February 5 at the University of Illinois Krannert Center in Urbana. Tony Award-winning director Daniel Sullivan will be at the helm of this new work from Auburn, the playwright behind Proof, a Chicago-based play about a math genius and a supposedly unsolvable problem that won Auburn the Pulitzer Prize for Drama. This time, Auburn is writing about a woman named Veronica (Opal Alladin) who is looking for an escape from the city by way of a vacation home in the middle of nowhere. But when she comes into contact with Hogan (Jake Weber), the man who owns the place, she finds that her idea of escape may be more complicated than she envisioned. Lost Lake begins its short run of performances on the 5th, but last time I looked, that one was sold out. It continues on the 6th, 7th, 8th and 9th at 7:30 pm, with 2 pm matinees also on the 8th and 9th. For ticket information, click here.

Champaign's Art Theater Co-op is offering Bill Murray, Andie MacDowell and their furry friend in wonderful Groundhog Day on February 5 at 10 pm. If you don't own a copy on DVD -- or even if you do, but you want to revisit Groundhog Day on the big screen -- it's definitely worth a look at the Art in downtown Champaign. They're also offering Bogie and Bergman in Casablanca, one of the most romantic films of all time, as a Valentine's Day treat, along with The Princess Bride, that wry and wonderful fairytale from director Rob Reiner, with a screenplay from William Goldman based on his book. And that is some fine Valentine's fare. Check with the Art for showtimes.


On television, the Winter Olympics begin on the 7th on NBC, the same night Jay Leno bids goodbye (or perhaps au revoir) to The Tonight Show. Jimmy Fallon starts his Tonight Show on the 17th, Seth Myers takes up the reins of Late Night on the 24th, and The Walking Dead (9), House of Cards (14), The Amazing Race (23), The Voice (24) and Scandal (27) all come back. The numbers in parentheses are the dates you can expect to find them. Note also that Downton Abbey finishes up its season on the 23rd. Phew. Better fire up the DVR now.

On stage, Illinois Wesleyan welcomes 2014 with Caridad Svich's Twelve Ophelias (a play with broken songs), directed by Assistant Professor Dani Snyder-Young, with Sarah Menke as the No. 1 Ophelia. 12 Ophelias will be performed at McPherson Theatre from February 11 to 16, showcasing Svich's unique take on Hamlet, where the central Ophelia is reborn from her drowning pool into a mysterious pseudo-Appalachian world with rock 'n' roll, a Rude Boy who just may be Hamlet and a woman named Gertrude who runs a brothel. Svich's "mirrored world of word-scraps and cold sex" definitely represents a refocused and unexpected way to look at Shakespeare.


Heartland Theatre has performed the work of playwright Jon Robin Baitz very nicely in the past, so Baitz's newest piece, Other Desert Cities, should be a perfect fit. This one looks at the cracks forming under the foundation of a wealthy family in Palm Springs, California. The Wyeths have ties to the entertainment world as well as politics, since patriarch Lyman was a movie star back in the day, before he got an ambassadorship courtesy of his pal Ronald Reagan. Lyman and Polly had three children: wild child Henry, fragile daughter Brooke and easy-going Tripp. Henry is gone, Tripp is happily working on a TV judge show, and Brooke... Well, Brooke has come home with a memoir she's written, a tell-all that may just tear the family apart. Sandra Zielinski directs Other Desert Cities with a cast that includes Joe Penrod and Connie de Veer as Lyman and Polly, Carol Scott as Polly's free-spirited sister Silda, Joey Banks as Tripp, and Jessie Swiech as Brooke. The show opens February 20 with a special pay-what-you-can preview, followed by performances through March 9. Click here for reservation information.

Illinois State University opens its winter theater season with Diana Son's Stop Kiss, opening February 20 at Westhoff Theatre, and the Benjamin Britten/Peter Pears opera version of Shakespeare's A Midsummer Night's Dream, opening February 21 in ISU's Center for the Performing Arts.

Stop Kiss, which involves a couple violently assaulted when they share a kiss on the street, was first performed at New York's Public Theatre in 1998. Its premiere cast included Sandra Oh (Grey's Anatomy) and Jessica Hecht (Breaking Bad, Friends) as Sara and Callie, the couple at the center of the storm. Leah Cassella directs Stop Kiss for ISU, with Nina Ganet and Bethany Hart as Callie and Sara, Eddie Curley as Callie's friend George, Jimmy Keating as Sara's ex-boyfriend Peter, Matt Hallahan as the detective assigned to the case, Angie Aiello as a witness, and Lauren Partch as a nurse who tries to help Sara when she is hospitalized.


A Midsummer Night's Dream as interpreted by composer Benjamin Britten couldn't be more different, taking audiences into a whirl of fairies, amateur actors and mismatched lovers inside the Athenian forest. ISU has been celebrating Britten's centenary since last October, and this production, directed by ISU Professor Paul Dennhardt, serves as another piece of the celebration. Britten's musical styles separate the fairies and their magical world from the simple folk (the Mechanicals) and the romantically inclined lovers, with more focus on the fairies than in Shakespeare's original. The part of Oberon, the King of the Fairies, was written for a countertenor, an unusual occurrence in opera. For ISU, Landon Westerfield will sing Oberon, with Kristin Moroni as his queen Tytania and Colin Lawrence as his impish servant Puck. Michael Guttierez and Adriana Ladage will play Theseus and Hippolyta, whose royal wedding brings the players together, while Audra Ferguson, Robbie Holden, Sidney Megeff and John Ramseyer form the quartet of young lovers. As Bottom, Josh Ramseyer leads the Mechanicals, joined by Eric Rehm, Lucas Tuazon, Ben Wright and Jeff Wright. Add a company of 30+ fairies, and you have the world of this Midsummer. I haven't seen a poster for it yet, so I will offer a pretty image from the Lyric Opera of Chicago's recent production (up there at the top of this paragraph).

Click here for more information on ISU's winter season.



The Illinois Symphony Orchestra will join with performers from the Illinois Shakespeare Festival to create "Shimmering Shakespeare" on Friday, February 21 at the Bloomington Center for the Performing Arts and on Saturday, February 22 at Springfield's Sangamon Auditorium. Actors from the Illinois Shakespeare Festival will perform short scenes between movements of Prokofiev's opera Romeo and Juliet. The evening will also feature Silk Road Ensemble percussionist Joseph Gramley performing Chen Yi's Percussion Concerto. Tickets for the Bloomington performance can be purchased at the BCPA box office at 309-434-2777, while tickets for the Springfield performance are available at the Sangamon Auditorium at 217-206-6160. For more information, you can also visit the Illinois Symphony Orchestra online at www.ilsymphony.org.

Eureka College Theatre did Aristophanes' The Birds a few years ago, so it's only fitting they would take on The Frogs, also by Aristophanes. Holly Rocke directs this classical Greek comedy updated for Eureka with puppets. Performances begin February 25 and finish up March 1. Please note that this is Aristophanes, not the Stephen Sondheim musical (see image at left) set in a swimming pool. For Aristophanes, it was Euripides battling Aeschylus for Best Poet honors. For Sondheim and Shrevelove, it's Shaw vs. Shakespeare. Plus, of course, music. And a pool. Eureka will be going Greek with this one.

And that's just a sampling of February's many options. With the Oscars coming March 2, you will also want to take in a few movies here and there. If you have time!

Tuesday, February 14, 2012

An Early Look at "Passion Play," Upcoming at ISU's CPA

I like Sarah Ruhl's writing in general. She's a little weird and a little wacky, but she manages to bring together disparate elements like love, romance, belief, fate, and yes, passion in a very creative package. The ideas are practically bouncing off the walls in her plays.

"Passion Play" is one of her best, if also one of the most dense and complicated. There is a lot going on here, both in terms of characters and the magical, sad, funny, strange world around them. And director Brandon Ray is doing his best to mine those depths and bring all the magic to the stage at ISU's Center for the Performing Arts beginning Friday.

The "passion" in this "Passion Play" is about the life (and specifically, the suffering) of Jesus, referring to the Passion Plays that have been happening since the 15th century, when regular old folks (not actors, in other words, but carpenters and fishermen and girls next door) put on dramatic presentations to tell the story of Jesus's trial, crucifixion and resurrection.

“I’ve been obsessed with the Passion play since I was a child,” Ms. Ruhl told the New York Times. “Maybe it was being raised a Catholic, but I was definitely also interested in how whole towns would get involved, or religiosity could be used as a cloak for other things. In that sense my play is much more about theater than it is about religion.”

Ruhl takes her "Passion Play" narrative across about four hundred years, showing us how they put on the play in an English village in 1575, with a visit from Queen Elizabeth; in Oberammergau Germany in 1934 with Hitler on the rise; and finally in a backwater town called Spearfish, South Dakota during Viet Nam and then the Reagan years. The script specifies that the same actors will play different characters in those three eras, but continue to play the same roles in the play-within-the-play. If that sounds complicated, it doesn't come off that way in the script. For example, for ISU, actor Matt Bausone plays a misshapen, smelly fish-gutter named Pontius in Elizabethan England. Pontius is set to play Pontius Pilate (obviously) and Satan in the play, and he is jealous of his handsome, pious cousin John, played by Jeff Kurysz, who will take the role of Jesus, as his father did before him. In the next section, set in Germany in 1934, Bausone plays a foot soldier in Hitler's army, one who is suppressing his feelings for Eric, another handsome man cast as Christ in the pageant, again played by Kurysz. And in the third act, with Kurycz as J, yet again set to play Christ, Bausone's character is P, a tortured Viet Nam vet who is having trouble keeping himself together long enough to make it to the play. Bausone plays three different characters -- fish-gutter, soldier, vet -- in the three different eras, but they're all cast as Pontius Pilate in their respective Passion Plays.

Photo credit: Alex K

Ruhl's soaring imagination and sharp sense of humor are on display throughout "Passion Play," and Ray's scenic designer, John Stark, is clearly matching that quirky mood, as you can see from the "paint day" pictures, with a crew member taking a break on the beautiful painted backdrop (below), and a view of the cross as it was being built (above) that plays such an important role in the Passion Plays within this "Passion Play."

Photo credit: Alex K
You should be aware, however, that you will not see an actual Passion Play in any of the three eras. All three sets of would-be actors and stage crews struggle to find a way to overlook or even improve on their own human frailties in order to tell this story that is so important to them. And they pretty much screw it up every time.

"Passion Play" is not a short play, and you can expect performances at the Center for the Performing Arts to take in excess of three hours, with two short intermissions. Sometimes a story is too big for the current 100-minutes-with-no-intermission model. "Passion Play" is one of those plays. Its theatrical scale and thematic scope require no less.

The play opens on Friday, February 17th, with a 7 pm performance. Subsequent performances are scheduled for February 18 and 19 and 22, 23, 24 and 25. For all the details or to order tickets, click here or here.