Showing posts with label The Living Canvas. Show all posts
Showing posts with label The Living Canvas. Show all posts

Monday, November 21, 2016

Time for [TRANS]FORMATION, Presented by Chicago's NWaC and The Living Canvas


Pete Guither, former assistant dean (as well as a photographer, writer, editor, tour guide, teacher, director, musician, mentor, website designer, publications designer, commencement facilitator and general jack-of-all-trades) for the College of Fine Arts at Illinois State University, is keeping busy in his newly retired state. As the artistic director of The Living Canvas, Pete has been working for some time to use elements including projections, lights, movement and unclothed performers to express "the beauty and expressive power of the human form."

This time out, Guither is one of the producers of a newly devised piece called [Trans]formation, presented as a collaboration between The Living Canvas and Chicago's Nothing Without a Company. The other producer is Anna Rose Ii-Epstein, co-artistic director of Nothing Without a Company

[Trans]formation is intended as an exploration of "the naked truth of gender identity." The current production, running through December 17 at the Vault at Collaboraction Studios in the Flat Iron Arts Building in Chicago's Wicker Park neighborhood, serves as its world premiere. It has been "devised entirely from the works of and performed by transgender, genderqueer, intersex, and non-binary artists. Designed and directed in the style of The Living Canvas, nude performers embody the expressive power and diversity of the human form under evocative projections to reveal, instead of conceal, every body’s beautiful possibility."

Director Gaby Labotka, an ISU alum, was also on the team that devised the piece, along with Ronen Kohn, Darling Squire, Avi Roque and Kevin Sparrow. The cast is composed of Kohn and Sparrow as well as Gabriel Faith Howard, Lily Ryan-Lozon, Chase Nuerge and Ben Polson. If you're looking for another ISU connection, you'll find one in sound designer Sarah Putts.

Because of the nature of [Trans]formation and what it's trying to communicate, each performance will include added content both before and after the show. That means there will be a short artistic "portrait" by a local (local to Chicago, presumably) transgender/non-binary artist before the show begins and a discussion afterwards that includes an opportunity for audience members to jump into the "transformation" process on stage if they are so inclined. Those who want to will have the chance to put their own bodies under the projections onstage.

Although [Trans]formation opened in previews last week, there are plenty of performances left to catch. In fact, there is a special Monday night performance tonight to make up for the company taking Thanksgiving Thursday off. After Thanksgiving, they'll resume their regular schedule of performances on Thursdays, Fridays and Saturdays at 8 pm and Sundays at 7 pm. You can get tickets at Brown Paper Tickets and more information at both The Living Canvas and Nothing Without a Company sites.

Tuesday, July 3, 2012

The Living Canvas Shouts "Eureka!" as It Paints Light on Skin

"The Living Canvas," which has ties to this area through ISU's Pete Guither, uses the human body as its blank canvas, adding projections and lights to bare skin to create art that is a celebration of the human form.

As explained in the Naked July Festival blog, "The [Living Canvas] ensemble has only been rehearsing together for a few weeks, but to see them work together so smoothly, it would be easy to assume that they had been together for a much longer period of time. The entire cast is actively involved in all phases of the production and they freely offer suggestions about the concepts underlying each of the performance pieces, the choreography of the dance movements, and the projected images that work best in each segment of the show. Each performer has many responsibilities, but when new tasks or challenges arise, ensemble members generously offer to help. For many of the members of the cast, this is the first time they have ever performed nude on stage, but their poise, confidence, and enthusiasm remind us all that it is natural and empowering to celebrate the beauty of the human body."

Their newest show, "The Living Canvas: Eureka!" opened last weekend as part of that Naked July Festival at Chicago's National Pastime Theater in its new location on the 4th floor at 941 West Lawrence Avenue, Chicago IL 60640.

"The Living Canvas: Eureka!" focuses on the idea of discovery, and it includes "serene solo pieces, whimsical action sequences, haunting operatic arias, sensual dances, and light-hearted segments that are just plain fun."

Performances begin again on July 6, with 10 pm shows on Fridays and Saturdays through August 11. You can buy individual tickets or go for the a pass to the whole Naked July Festival, which includes "References to Salvador Dali Make Me Hot," by Jose Rivera; "Richmond Jim," by Cal Yeomans; a "cabaret with bite" called "Beast Women;" and "Soundings: 4 Films of James Hebert."

Tickets to "The Living Canvas: Eureka!" are available for $20, while passes for the whole Naked July Festival are available for $60.