Showing posts with label Corliss Preston. Show all posts
Showing posts with label Corliss Preston. Show all posts

Wednesday, July 18, 2012

Tonight: Special 2-for-1 Preview of "The Rivals" at Illinois Shakes Fest

If you've already seen the Illinois Shakespeare Festival productions of "Othello" and "As You Like It," you may be getting impatient to complete your ISF summer season with show #3.


If so, tonight is your lucky night. "The Rivals," Richard Brinsley Sheridan's 1775 comedy of manners, leaps onto the stage at Ewing Manor tonight at 7:30 pm with a special dress rehearsal. Even better: This preview performance offers buy-one-get-one-free tickets. Official opening night is tomorrow, but that preview ticket offer may be hard to resist, especially for a show like "The Rivals," which last played the Festival in the summer of 1990. Yep, 22 years ago.

I remember that production as being funny, fresh and an all-around great time. Then, Philip Earl Johnson, who returns to Ewing Manor fairly often at MooNiE the Magnif'cent, played stalwart young Captain Jack Absolute, who is at the center of Sheridan's romantic romp.This time out, Jack is played by Dylan Paul (pictured at right in the banner above). Jack is the son of a wealthy nobleman, but he pretends to be poor, honest Ensign Beverly to catch the eye of one Lydia Languish. Lydia is a girl with romantic notions about following her heart and eloping with a nobody; she rejects outright any suitor of position or wealth.

Lydia is smitten with Ensign Beverly, not realizing that he is the same person as Jack Absolute, the candidate her guardian, Mrs. Malaprop, has arranged for her. And, yes, it's that same Mrs. Malaprop who has given her name to "malapropism," the idea of using the wrong word -- a word that vaguely sound like the right one -- in the wrong place. And so she begs Lydia to "illiterate" Ensign Beverly from her memory, offering that Captain Jack is "the very pineapple of politeness."

Mrs. Malaprop is hoping to catch the eye of Sir Lucius O'Trigger, a hot-headed Irishman in dire need of funds, but he has set his sights on Lydia, the young heiress, as has a country squire named Bob Acres. That leaves Lydia with the problem of three feisty suitors (four if you count both of the identities Jack is running around with) as well as conflict from her guardian Mrs. M., Jack's dad, and a bunch of friends and servants who keep muddying the waters.

It's all in good fun, just the kind of thing director Deb Alley excels at, and we've already seen from "As You Like It" that actors Paul, Gracyn Mix (Lydia), Alexander Pawlowski IV (Bob Acres) and Lisa Wartenberg (Lydia's friend Julia) can handle the comedy just fine. Taking a break from the tragedy of "Othello," Matt Penn, Amanda Catania and Corliss Preston will take on O'Trigger, saucy maid Lucy, and the mangled language that is Mrs. Malaprop.

"The Rivals" promises to be a real summertime treat, with performances tonight (two-for-one preview), tomorrow, and July 22, 24, 26 and 29 and August 2, 4, 8 and 10.

You can see the performance choices here, and order tickets here. Don't forget to bring a picnic or order one, or to come early for jazz in the courtyard, a backstage tour, or the "Three Wills and a Shakespeare" preshow.

Saturday, June 30, 2012

Hot, Powerful "Othello" at the Illinois Shakespeare Festival


Scholars have debated for centuries exactly why Iago does what he does in Shakespeare's "Othello." When Othello asks his former ensign for the motive behind his crimes, Iago refuses to say. His answer: "What you know, you know. From this time forth I never will speak word."

By that point, what we know is very, very nasty. In one fell swoop, he has poisoned Othello, a successful general, against his wife, lovely and virtuous Desdemona, and removed Michael Cassio, his rival for the rank of lieutenant. Staging a drunken brawl works perfectly to stain Cassio's reputation, and pushing his wife, Emilia, to steal an important handkerchief from Desdemona, thereafter planting it in Cassio's room, is just the ticket to inflame Othello with suspicions of an affair between Desdemona and Cassio. With that in motion, Iago takes delight in the fact that Othello is crazed with jealousy, Cassio is ruined, and Desdemona is besmirched in her husband's eyes.

So is Iago just plain evil, spinning schemes for the fun of it? Clearly he's angry about Cassio's promotion, but he could've just gotten rid of him without all the attendant mayhem. Why go to the extent he does? Why use his wife and his friend Roderigo as pawns, letting them suffer without a second thought? Is he seething with envy over Othello's prowess as a military man and the acclaim he's received from the Duke of Venice? Seething with racism and fury that a Moor with dark skin has not only triumphed as a leader but nabbed a prize like the lily-white Desdemona? Or all of the above?

For the Illinois Shakespeare Festival, director John Sipes and his Iago, played by Matt Penn, err on the side of insanity. We see Penn's Iago forge his diabolical plans with passion and even a hint of frenzy, compulsively running his hands over his neck and chest, making it all very personal and quite creepy. It may've been more of a factor of the recent heatwave, but the fact that this Iago seemed to be reveling in the feel of his own sweat certainly ramped up the creepiness.

At the onset, Daver Morrison's Othello is a proper figure to envy, magnificent in glowing green trousers and a cape designed by Helene Siebrits, every bit the confident general who believes the world (or at least Venice) is his oyster. And after Iago spins his web, as his doubts begin to cloud his brain, Morrison shows a descent into madness that is both inevitable and terrifying. As his Desdemona, Amanda Catania creates a vibrant, warm woman, one who clearly adores -- and is passionate for -- her husband.

In support, Charlie Wright does excellent work as pitiable Roderigo, Andy Talen makes for a tempestuous Cassio, and Corliss Preston is a stunner when she pulls out all the stops with her scorned and scornful Emilia.

Sipes has also staged some scary, shadowy fights, while Michael Rasbury's moody musical compositions set the proper tone.

All in all, the ISF "Othello" is powerful and hot-blooded, disturbing and passionate.

OTHELLO
By William Shakespeare

Illinois Shakespeare Festival
at Ewing Manor

Director: John Sipes
Costume Designer: Helen Siebrits
Scenic Designer: John Stark
Lighting Designer: Julie Mack
Composer/Sound Designer: Michael Rasbury
Stage Manager: Sara Bubenik
Voice/Text Coach: Kevin Rich
Fight Director/Choreographer: Alex Miller
Dance Choreographer: Greg Merriman

Cast: Matt Penn, Charlie Wright, Henson Keys, Dylan Paul, Nick Demeris, Daver Morrison, Andy Talen, Michael Gamache, Andrew Rogalny, Jr, Zack Powell, Devon Nimerfroh, David Sitler, Alexander Pawlowski IV, Amanda Catania, David Price, Corliss Preston and Kate McDermott.

Remaining performances: June 30; July 5, 7, 13, 15, 21, 25, 28 and 31; August 3 and 9.

For ticket information, click here.