Showing posts with label Irene Taylor. Show all posts
Showing posts with label Irene Taylor. Show all posts

Friday, May 11, 2012

New Route Broadens Its Horizons

New Route Theatre and Artistic Director Don Shandrow have created a niche for themselves in local theatrical pursuits as "a multi-racial and multi-cultural theater company that produces new as well as established works that explore the nature of the human spirit in the context of ethical, political, and social choices." The multi-racial and multi-cultural aspect has allowed them to use performers we might not otherwise see on area stages, and to produce works, like Lynn Nottage's "Fabulation; or the Re-Education of Undine," which New Route took on last year, that might get overlooked when local theater companies choose their seasons.

As New Route has so far pursued their goals, they've performed "One Shot Deal" performances -- one night only, in other words -- at the Eaton Gallery in downtown Bloomington. That has meant a very intimate space and limited resources in terms of sets and scenery, as well as where and how the audience fits into the picture.

But this year, New Route has expanded its horizons, moving into a new performance space at the Bloomington YWCA on Hershey Road. The first show in the new space began last week, and continues tonight through Sunday. That first production is Irene Taylor's "Suppos'd to," a one-woman show Taylor wrote to reflect on "the emotional toll of caring and care-giving."


Taylor performed the show as a "One Shot Deal" with New Route last year, and that workshopping aspect (going from the gallery to the "main stage," from one performance to six, spread out over two weeks) is part of the growth arc Shandrow is pursuing with his company.

To get a better idea of how this all came about, I posed a few questions to Don Shandrow.

 Hi, Don! Tell me about the space you're using at the YWCA. Have they done theater or performances there before?

The space at the YWCA is an approximately 1100 square foot room, with orange walls and hardwood floor, that was used as a fitness room. This is the first time that it will be used as a theater or performance space. Because it’s an open space with a ceiling grid, it will allow us to use the theater in different configurations. Eventually we'll paint the room and it will become a more neutral space.

The question you might be asking here is “why a partnership with the YWCA?” The answer to that question has to do with the mission statements and purposes of each organization. We mesh perfectly. I initially approached Jane Chamberlain, the CEO of the YWCA, about the possibility of some kind of joint project about a year ago and it was this summer that I presented her with a season for 2012-2013. We appreciate the encouragement we’ve received from Jane and the assistance from the staff. They’ve made us feel like part of the YWCA family.

New Route Theatre all comes down to our mission statement. I present the mission statement before each show, I remind the NRT Artistic Advisory Board (affectionately called the New Routers) at every meeting, and share the mission statement with anyone who’s interested. The mission statement is what makes us unique and compels us to present material by predominately minority and women playwrights.

My concern is to build an audience that reflects the diversity of this community. I’m attempting to do that by; first, bringing together an advisory board for NRT that reflects the community. Second, by bringing together a company of performers that believe in what we want to accomplish. Third, by presenting material that expresses, with a unique voice, the universal human condition and that we are all one.

We have an ambitious season this year and a committed core of people who share the vision of creating Central Illinois' only multi-racial and multi-cultural theater company. We are planning even more surprises for our 2013-2014 season.

Had you been looking for a more permanent space where you could do more than one night? And were you thinking when you did the One Shot Deals that they would function as sort of workshops for more fully staged performances? 

Our goal, from the first meeting I had with the advisory board, was to find a permanent space for multiple performances. I’m convinced that the timing of everything we are doing is right and everything seems to be falling into place.

The “One Shot Deal Series,” in 2011, served a slightly different purpose than it does now. When I met with Herb Eaton and we decided on the one show per month for 12 months…it was to serve four purposes. 1. To introduce people to NRT on a donation only basis. 2. To create talk in the community about the theater company that was doing a show a month (even if was just for them to say that we were crazy). 3. To create a body of work that people could look at and know that we were serious about meeting our mission statement. 4. To bring together a group of people, audience and theater artists, who felt a sense of ownership in NRT. The first year was to launch the company.

An unintended consequence that I saw early on was that it was also a workshop for trying out material, directors and actors. The “One Shot Deal Series” is a place where we could try out material to fully stage and it continues to serve that purpose. The “One Shot Deal Series” will continue to be held at the Eaton Gallery but will be limited to four productions a year.

The YWCA is now our home and the location of our Main Stage full run season. You have the 2012-2013 Season…it’s a set season and all of the rights have been secured.

Purely as an audience member, I'm hoping you'll do Lynn Nottage's "Ruined" or "Meet Vera Stark" sometime in the future. She's won a Guggenheim Fellowship, a MacArthur Genius Grant and a Pulitzer Prize (for "Ruined"), and yet your "Fabulation" was the only time I've seen Nottage performed in Bloomington-Normal.

Lynn Nottage’s works fit the NRT mission statement perfectly. For our 2013-2014 season we are considering “Ruined.” There is a Nigerian IWU theater major who is part of the NRT Company. She has performed in several of our productions in the past and would be a perfect choice to play Sophie. So I do see more Nottage in our future as well as many other playwrights whose works I’m excited about.

A Look at New Route's New Space

New Route's Main Stage season continues with "Suppos'd to" tonight, tomorrow night and Sunday at the YWCA, 1201 North Hershey Road, Bloomington. "Suppos'd to" stars Irene Taylor and is directed by Don Shandrow.

Next up will be "The Ladies: a Musical Love Letter," a musical revue featuring the songs of iconic African-American female vocalists. "The Ladies" was conceived and directed by Phil Shaw and features Jennifer Rusk singing with David Shields at the piano and Myles Singleton on trumpet. "The Ladies" will be performed June 15-17 and 22-24.

"Fabulation, or the Re-Education of Undine" comes back August 31, with performances continuing on September 1-2 and 7-9. "Fabulation," which deals with the downward spiral of a successful, snobby professional woman who has all but erased any memory of where she came from, is the work of award-winning playwright Lynn Nottage; it stars Jamelle Robinson and is directed by Gregory D. Hicks for New Route Theatre.

"Sunset Limited," a play by Cormac McCarthy, is next on the schedule, running October 5-7 and 12-14.  Phil Shaw will direct this story of a black man who saves the life of a white man who tried to end it all by throwing himself in front of a train. Guilt, responsibility, faith and humanity are just some of the issues these two men grapple with in this combination novel/play/rumination.

Ian Mairs' "Our David" fills the last slot in 2012, with performances November 30, December 1-2 and 7-9. Bridgette Richard directs "Our David" for World AIDS Day, as it involves a tense relationship between neighbors, one a widow who has lived in the same Florida home for absolute ever, and the other a gay man from New York who's moved to Florida in the wake of losing everyone he loved to AIDS. The David in the title is the nude statue by Michelangelo, and the object that brings these two bereaved neighbors together.

Opening 2013 for New Route is Katori Hall's "The Mountaintop," which traces the last night in the life of Reverend Martin Luther King, Jr. Don Shandrow directs performances from February 1-3 and 8-10. The 2009 London production of "The Mountaintop" won Katori Hall the Olivier Award for Best New Play, making her the first black female playwright ever to win that award. "The Mountaintop" hit Broadway in September of last year, with Samuel L. Jackson as Reverend King and Angela Bassett as Camae.

Keep on eye on this page for all that's new with New Route.

Tuesday, May 1, 2012

May Days 2012!

Yes, the Tony Award nominations were announced this morning. And, yes, "Newsies," with IWU alum Evan Kasprzak in the cast, got a slew of them. But we'll get to that later. Right now, we need to fill in our May schedules for entertainment.

The filmed version of the New York Philharmonic's all-star production of Stephen Sondheim's "Company," which played in movie theaters a year ago, is back at Champaign-Urbana's Art Theater for one screening only, at 4 pm on May 2. That's tomorrow. If you missed it the last time, this Broadway musical and its fabulous cast, including Neil Patrick Harris, Stephen Colbert, Christina Hendricks from "Mad Men," Jon Cryer from "Two and a Half Men," Anika Noni Rose from "Dreamgirls," and Broadway legend Patti Lupone, might just be the perfect way to celebrate the Tony nominations. Later in the month, "The Best Exotic Marigold Hotel," with an all-star cast of its own (Judi Dench and Maggie Smith, for starters) hits The Art beginning May 25.

The last event on Illinois State University's School of Theatre schedule is the Spring Dance Concert, under the direction of ISU Dance Theatre Artistic Director Sara Semonis. Performances are scheduled for May 3, 4 and 5 at 7:30 pm and May 5 at 2 pm in the Center for the Performing Arts, with a program that includes new works from Greg Merriman, Sara Semonis, Jessica Waltrip and Darby Wilde, all choreographers from ISU's dance faculty, as well as the world premiere of "Chattering," choreographed by guest artist Julie Tice, and a new piece choreographed by undergrads Amy Davelis and Taylor Oxley.

Tickets for the Spring Dance Concert can be purchased by visiting the box office in the Center for the Performing Arts or by calling 309-438-2535.

New Route Theatre expands its programming past the "One Shot Deal" series, offering six performances of Irene Taylor's one-woman show "Suppos'd to," which she performed last year to much acclaim. "Suppos'd to" marks New Route Theatre's premiere production with the McLean County YWCA with performances May 4-5 and 11-12 at 7:30 pm and May 6 and 13 at 2 pm.

But that doesn't mean New Route is giving up the Eaton Gallery or the One Shot Deal series. May's "One Shot Deal" will be Rana Kunkar's new work, "Shams (Arabic for Sun)," performed May 16th at 7 pm at the Eaton Studio and Gallery, 411 North Center Street in downtown Bloomington. You can see pictures and more information for both events here on the New Route Facebook page.

Community Players keeps up the beat (because we all know you can't stop the beat) with the bright and shiny Marc Shaiman/Scott Wittman musical "Hairspray," opening with a special preview performance on May 10. This "Hairspray" is a fizzier, friendlier version of the 1988 John Waters film that starred Divine as Baltimore housewife Edna Turnblad and Ricki Lake as her daughter, Tracy, who desperately wants a chance to dance on the Corny Collins Show. The film spawned the 2002 Broadway production, which turned into the 2007 movie with John Travolta playing Edna. Alan Wilson directs for Community Players, with Scott Myers as Edna and Kelly Slater as Tracy.

The Normal Theater brings two days of Audrey Hepburn to its screen with "Sabrina" on May 10 and 11 and "Roman Holiday" on the 12th and 13th. "Sabrina" is a Billy Wilder gem from 1954, with Hepburn as Sabrina, a beautiful chauffeur's daughter caught between the charms of two rich brothers, portrayed by Humphrey Bogart (in a change of pace as uptight Linus Larrabee) and William Holden (all Golden Boy as younger bro David, Sabrina's longtime crush). In "Roman Holiday," Hepburn is a princess on the lam, falling for Gregory Peck, the newspaper guy who gives her a ride around Rome. And although "Roman Holiday" is from 1953, only a year before "Sabrina," Hepburn seems ever so much younger on her Roman vacation. Both films are more than worth your time to see this style icon and screen star at her most lovely.

Grammy winner k.d. lang and her new band, the Siss Boom Bang, come to the Bloomington Center for the Performing Arts on May 17 at 7:30 pm.

Illinois Wesleyan's School of Theatre Arts closes out its season with a double bill of Elaine May's one-act comedy "Adaptation" and a new version of the classic "Alice's Adventures in Wonderland." Both shows are directed by graduating seniors, with Peter Studlo at the helm of "Adaptation" and Megan Francomb taking on "Alice." Performances are scheduled for the E. Melba Kirkpatrick Laboratory Theatre May 18 to 20.

Back at the Normal Theater, silent film stars get the spotlight with Buster Keaton in "The General" May 24-25 and Charlie Chaplin minding little Jackie Coogan in "The Kid" May 26-27.

They're both wonderful films, made current again by last year's Oscar winner, "The Artist." And whether you're a silent film fan or not, these are two movies that need to be seen by anyone who wants to understand where film comedy comes from and why Buster Keaton and Charlie Chaplin are so revered. Oh, and "The Kid" will also make you cry. Just sayin'.