Lather/Rinse/Repeat: It's the Emmys!

What is there to say about last Monday night's Emmys except "same old, same old"?

It's certainly nothing new for Emmy voters to pick the same winners year after year. You know, like Candice Bergen,who won five Emmys for Murphy Brown, or Don Knotts, with five for The Andy Griffith Show. 

Ed Asner as Lou Grant

And then there's Cloris Leachman, who won eight over the years for different shows and Ed Asner, who won seven, five of them for playing the role of Lou Grant on The Mary Tyler Moore Show and Lou Grant.  MTM herself also has seven Emmys on her mantel. Tyne Daly is right behind with six, with four for Cagney and Lacey. I'm not going to quibble with any of those, although I have to say, the winning streaks of John Larroquette (who won four consecutive Emmys for Night Court) and Rhea Perman (with four for Cheers) certainly gave me pause back in the 80s.

Julia Louis-Dreyfus in Veep

Given the Emmy predilection for repeats, it should come as no surprise to anyone that Jim Parsons collected his fourth Emmy this year as Outstanding Lead Actor in a Comedy Series for The Big Bang Theory or that Julia Louis-Dreyfus won her third in a row as Outstanding Lead Actress in a Comedy Series for Veep. Louis-Dreyfus already had two on her mantel, with a Supporting Actress Emmy for Seinfeld and a Lead Actress Emmy for The New Adventures of Old Christine. Allison Janney, who won two this year, is another perennial fave. She'd already taken home four Emmys for playing C. J. Cregg on The West Wing, so this year's wins as Outstanding Supporting Actress in a Comedy Series for Mom and Guest Actor in a Drama Series for Masters of Sex gives her six overall. Jessica Lange can't compete with those numbers, but she did just win her third Emmy in the Miniseries/Movie category and her second for American Horror Story.

The two big Supporting Actor categories -- for Drama and Comedy series -- gave Breaking Bad's Aaron Paul his third and Modern Family's Ty Burrell his second. Anna Gunn also took home No. 2 for Supporting Actress for Breaking Bad, while Kathy Bates, who has been nominated twelve times, won for only the second time. Hers was for her Supporting turn in American Horror Story: Coven, in the Miniseries/Movie category.

Even though it's a repeat, I'm still glad that the very deserving Bryan Cranston took home his fourth Emmy as Outstanding Actor in a Drama Series for Breaking Bad after not hitting the podium for a few years, and that Juliana Margulies was recognized again as Outstanding Actress for a stellar season of The Good Wife.

That leaves Benedict Cumberbatch alone among the Lead Actor nominees. His win for Outstanding Lead Actor in a Miniseries or Movie for Sherlock was his first. What a surprise! His Sherlock cohort, Martin Freeman, was also a first-time Emmy winner, although he was nominated in two categories this year.

The show winners were just as much a part of the lather/rinse/repeat cycle. It's five in a row for Modern Family as Outstanding Comedy Series. And two for Outstanding Drama Breaking Bad, although this will be the end of that road, since the show has finished up for good. After eight wins for The Daily Show in the Variety Series category, The Colbert Report has now won two. But everybody looks like pikers next to The Amazing Race, which has now won ten Outstanding Reality/Competition Emmys.

Since 2010, television movies and miniseries had been lumped into the same category, but this year they were split up, meaning that Fargo (the mini) and The Normal Heart (the movie) could both win. If they put it all back together next year, there's no telling who will win.

That's just one of the television academy's tough choices, like what constitutes a guest actor as opposed to a supporting one.

The guest honors were handed out in the Creative Arts ceremony a week ago, with Uzo Aduba from Orange Is the New Black emerging as a winner over two castmates plus Joan Cusack from Shameless and two Saturday Night Live hosts. "Guest" used to mean a one-off. No more. Adube has appeared in 38 of the show's 39 episodes, according to IMDB. Joe Morton also won as a "guest" for Scandal, although he was in the credits for all 24 of this season's episodes, and winner Allison Janney was in seven of Masters of Sex's total 24. By contrast, Jimmy Fallon won for hosting one episode of SNL.

But then, there are a lot of questions about Emmy definitions. Why are Fargo or American Horror Story considered miniseries instead of plain old series, when True Detective is a series, not a mini? Why are Orange Is the New Black and Shameless called comedies instead of dramas?

It's part -- along with the repeat winners -- of the reason the Emmys bug me. Still, they got good ratings this year. So you know they will be back, handing out statuettes to The Amazing Race and Allison Janney one more time. 

Bryan Cranston Going ALL THE WAY to HBO with Steven Spielberg

HBO Films will be bringing a bit more Broadway to our televisions with Robert Schenkkan's All the Way, the Tony, Drama Desk and Steinberg/American Theatre Critics Association New Play Award winning play. Bryan Cranston, who won the Tony as Best Actor for his performance as Lyndon Johnson in the Broadway production of the play, will also star for HBO.

Deadline reported last month that Steven Spielberg had optioned the play for a possible miniseries, and now they've confirmed that the project has landed at HBO, which recently scored a major hit -- and a lot of Emmy nominations -- with the televised version of Larry Kramer's The Normal Heart. That adaptation from stageplay to screenplay was made by the playwright, and All the Way will get the same treatment, with Schenkkan himself penning the adaptation. He has worked with Spielberg before, on the World War II miniseries The Pacific, which also aired on HBO.

All the Way was originally commissioned as part of the "American Revolutions: The United States History Cycle" project at the Oregon Shakespeare Festival. Characters like Hubert Humphrey, J. Edgar Hoover and Martin Luther King, Jr. populate the landscape of the play, an exploration of how Lyndon Johnson came to power and how this "charismatic, conflicted Texan hurl[ed] himself into Civil Rights legislation, throwing the country into turmoil," as described by the ATCA judges when they decided the play was worthy of their top award. They called the play "an engrossing, epic" play and described Schenkkan's version of LBJ as "complex, obscene, brilliant and ruthless."

Before The Pacific or All the Way, Schenkkan had already shown he knew what to do with historical material -- he won a Pulitzer Prize for The Kentucky Cycle back in 1992.

On Broadway, All the Way featured University of Illinois alum Brandon Dirden as Martin Luther King Jr., Illinois State University alum Robert Petkoff as Hubert Humphrey, and This Is Spinal Tap alum Michael McKean as J. Edgar Hoover. No word yet on who will take the supporting roles for HBO, but it seems likely it will feature an all-star cast like the one in The Normal Heart. On Broadway, Joe Mantello played Ned Weeks, but that became Mark Ruffalo for the film, good-looking-in-a-regular-way John Benjamin Hickey turned into beautiful Matt Bomer, and Ellen Barkin's role was taken over by Julia Roberts, presumably for more box office appeal. Only TV star Jim Parsons (The Big Bang Theory) kept his role from stage to screen. That means we might expect everybody except Bryan Cranston to be replaced with actors who have bigger names or more star wattage. David Oyelowo, Nelsan Ellis and Malik Yoba have played King recently, while Leonardo DiCaprio tried on J. Edgar Hoover for size not that long ago. Humphreys are harder to find. So let's just keep the Broadway cast, shall we?

Oh Those Crazy Globes!

I made predictions for the Golden Globes last week, knowing full well that the 90-ish voters in the Hollywood Foreign Press Association are the very definition of unpredictable, so it was no surprise that I went 9-for-20, or just under 50 per cent. I am going to count that as a victory, actually. There is no way in the world anyone would've predicted Jacqueline Bisset would win in the Globes' weird Supporting Actress category, where mini-series, TV movies, TV comedies and TV dramas are all lumped together. Ditto Andy Samberg and Brooklyn Nine Nine. Well, actually, I probably should've figured that one, given the Golden Globes voters' tendency to go for the new and shiny the first year a show is out. See: Girls last year.

Amy Poehler on the red carpet

Even if my crystal ball was a bit murky, I'm pleased as punch that Amy Poehler won finally for Parks and Recreation, and Robin Wright was singled out for her brittle, brilliant performance in House of Cards on Netflix. I said I would cheer loudly if Poehler won, and I did, and I said I would be happy whoever won in the crowded Best Actress in a Drama category. And I was.

What did I get right? Breaking Bad and Bryan Cranston, Behind the Candelabra and Michael Douglas, Alfonso Cuaran winning Best Director for Gravity while 12 Years a Slave got the Best Picture prize, Jared Leto's drag in The Dallas Buyers' Club taking Best Supporting Actor, American Hustle picking up the comedy film prize, and, of course, Cate Blanchett winning Best Actress in a Drama for Blue Jasmine. But everybody knew that was going to happen.

I am considering giving myself half credit for Jon Voight, since I pointed out that he is exactly the kind of performer the Globe voters love, and Amy Poehler, since I said I would cheer if she won. Ah well. Better luck next year.

Best Dressed? Lupita Nyong'o

Biggest oversights? That Lupita Nyong'o didn't win for 12 Years a Slave, that Aaron Paul and Corey Stoll were shut out in the mega Supporting Actor on TV arena, and that Leonardo DiCaprio beat out Bruce Dern as the Best Actor in a Drama.

The good news is that Tina Fey and Amy Poehler established themselves as the best hosts of anything ever, even if I could've done without the DiCaprio/supermodel's vagina joke. But the opening monologue, Fey's son Randy from a previous relationship, and the crack about George Clooney preferring deep space to spending time with a woman his own age were loopy and wonderful.

Juliana Margulies

The big question is always who wore what best. Nobody really blew it big time, although Sandra Bullock's multicolored Prabal Gurung dress wasn't very flattering, and Jennifer Lawrence's Dior gown looked more like a couple of kitchen-size trashbags with handy twist ties.

Lupita Nyong'o and her regal Ralph Lauren gown took top honors for me, followed by Juliana Margulies in a smashing black and gold Andrew Gn design that looked perfectly comfy and perfectly pretty at the same time. I loved the fact that it had pockets, plus the not-too-huge princess shape was perfect for her.

Amy Adams

I also liked Amy Adams' snazzy halter dress -- she's been wearing a lot of those to stay in that American Hustle mood -- in a red-on-red color combo that was different and yet arresting. That the gown came from Valentino makes it even more 70s inspired.

And Kerry Washington gets special mention for a beautiful cream-colored Balenciaga that showed off her pregnancy in style, as you can see below. Drew Barrymore and Olivia Wilde also came to the event clad in maternity wear, but Washington was the class of the class in pregnancy fashion.

Kerry Washington

Meanwhile, Emma Thompson told much of the fashion story when she took off her shoes and then tossed them over her shoulder when she was presenting. How do the lady stars stay upright in those things, anyway? Thompson brought her martini glass with her, illustrating the other theme of the Golden Globes. Keep the liquor flowing and the acceptance speeches will be as wacky as Jackie Bisset all night long.

It was a strange and silly night, as the Golden Globes usually are. Some righteous winners, a few oddities and upsets, everybody taking forever to get to the stage, bizarre hairdos (on male winners this time), lame bits for presenters, jokes that aimed under the belt... Yep. That's the Golden Globes all right.

All That Glitters: Golden Globes This Weekend

You can't deny that the Hollywood Foreign Press Association, all 93 members strong, puts on a good party with its annual Golden Globe Awards. They started out as film awards in 1943 and then -- in what I consider a genius move -- added television to the mix in 1956, so that the stars of the two media, who didn't necessarily hobnob all that much at the time, could celebrate together.

Throwing in the kitschy idea of a Miss (or Mr) Golden Globes, so that somebody attractive with Hollywood ties would grace the stage all night, also helped form the Golden Globes identity. Keeping the drinks flowing and the party atmosphere front and center didn't hurt, either.

This year's Miss Golden Globes is Sosie Bacon, the daughter of Kevin Bacon and Kyra Sedgwick. She is probably hoping her appearance as Miss GG will jumpstart her career. It certainly didn't hurt the likes of Golden children past like Linda Evans, Melanie Griffith, Laura Dern, Freddie Prinze Jr, and Rumer Willis. If you have a Hollywood mom or dad, you get a step up. That's just the way it is.

The charming and entertaining Tina Fey and Amy Poehler will return as hosts, another smart move from the HFPA. Fey and Poehler were colleagues at Saturday Night Live, they've both fronted sitcoms on NBC, and they've both been nominated for Golden Globes. Fey won twice, while Poehler is nominated again as Best Actress in a comedy or musical TV series. They're hilarious and smart and they can't be hosts often enough to suit me.

So who will win at the 71st annual Golden Globes? It's hard to predict, given the whole 93 voters thing. To my mind, the Hollywood Foreign Press Association seems to favor British and European actors, which you will notice in their nominations. Also note that they have more categories than most and what they do cannot be seen as a barometer for the Oscars, no matter how much they try to spin it that way. Let's look at the contenders:

12 Years a Slave and Gravity are the favorites right now to win as Best Drama film, with other nominees Captain Phillips, Philomena and Rush relegated to the sidelines. Over on the comedy side, I look to American Hustle to prevail, with Her, Nebraska and The Wolf of Wall Street back in the pack and the Coen Brothers' Inside Llewyn Davis as a major longshot.

And even though I think 12 Years a Slave will edge out Gravity in the Best Picture race, I'm predicting Gravity's Alfonso Cuaron will win as Best Director over 12 Years' Steve McQueen.

Pretty much everyone expects Cate Blanchett to take the Best Actress in a Drama prize for Woody Allen's Blue Jasmine, although Sandra Bullock's performance in Gravity certainly has fans. Judi Dench (Philomena), Emma Thompson (Saving Mr. Banks) and Kate Winslet (Labor Day) are much less likely. This category shows just how much the HFPA loves non-Americans, with an Australian and three British ladies competing against Sandra Bullock.

The Best Actress race is much tighter for actresses in comedy films, with Meryl Streep (August: Osage County), Amy Adams (American Hustle) and Julia Louis-Dreyfus (Enough Said) all potential winners. So who among them will take home the statuette? Gold Derby says the odds are with Amy Adams, but I say never bet against Meryl Streep.

Among the actors nominated for drama films, Robert Redford stands alone in All Is Lost and Matthew McConaughey made a huge impression in The Dallas Buyers Club. I still think this Globe is Chiwetel Ejiofor's to lose. His character went through endless cycles of hell in 12 Years a Slave, and Ejiofor made that feel personal.

Comedy/musical actors are more tightly bunched. The Golden Globes love them some Leonardo DiCaprio -- he's been nominated ten times and won for The Aviator -- but audiences have been turned off by the wretched excess in The Wolf of Wall Street. Bruce Dern has the older-star patina and his performance in Nebraska has been getting a lot of notice, including winning Best Actor at the Cannes Film Festival. Is that enough to impress the Globers? Or will they prefer Christian Bale in American Hustle, Oscar Isaac breaking out in Inside Llewyn Davis, or Joaquin Phoenix acting with Scarlett Johansson's voice in Her? I think it will be Dern.

I also think Jared Leto (Dallas Buyers Club) will beat out Michael Fassbender (12 Years a Slave) for supporting actor honors, but I'm hoping Lupita Nyong'o (12 Years a Slave) can hold off Jennifer Lawrence, the It Girl whose American Hustle performance isn't really all that special.

In the television drama category, Breaking Bad's explosive finale season should push it ahead of House of Cards from Netflix and Showtime's Masters of Sex, with Downton Abbey from PBS and The Good Wife from CBS, the only Big 4 network represented, looking on. The only comedy series I like among the nominees is Parks and Recreation, although newcomer Brooklyn Nine-Nine would also be acceptable. But I'm thinking a perennial contender like The Big Bang Theory or Modern Family will win. Please, Foreign Press people, do not give another award to Girls. I'm begging you!

That goes double for Lena Dunham as Best Actress in a Comedy for Girls, but I think Julia Louis-Dreyfus will pull it out for Veep, anyway. On the other hand, if it were to be Amy Poehler at long last, I would be cheering loudly. The TV drama actress category is a lot more interesting this year without last year's winner, Claire Danes from Homeland, even nominated. It's terrific that Tatiana Maslany got a nod for Orphan Black, but I am rooting for Kerry Washington, who continues to carry Scandal and its fabulously soapy goings-on. Juliana Margulies (The Good Wife), Taylor Schilling (Orange Is the New Black) and Robin Wright (House of Cards) are also worthy, however, making this one category where it's good news whoever gets the gold.

Among drama actors, I want Bryan Cranston to win for Breaking Bad's swan song, and I think he will. Still, Michael Sheen (Masters of Sex) and Kevin Spacey (House of Cards) have an outside chance, and James Spader (Blacklist) is weird enough to attract some votes. I don't think Liev Schrieber (Ray Donovan) is a serious threat, however.

For me, the comedy actor race is wide open, but the Gold Derby people think the odds are in Michael J. Fox's favor. I wouldn't count out Jim Parsons, who keeps on winning for The Big Bang Theory, but I also wouldn't count on Jason Bateman (Arrested Development), Don Cheadle (House of Lies) or Andy Samberg (Brooklyn Nine-Nine).

Behind the Candelabra and lead actor Michael Douglas, who played Liberace in it, should coast to victory in the mini-series categories, as should Helena Bonham Carter, who packs the double punch of being British and playing a real person (Elizabeth Taylor) in Burton and Taylor.

The Golden Globes stick all the TV supporting actors together, meaning you have people like dramatic powerhouse Janet McTeer (The White Queen) competing against comedy siren Sofia Vergara (Modern Family). But I think Monica Potter deserves the award for her stellar year on Parenthood, so I'm going to pick her.

Among the men, it's hard to overlook Aaron Paul and his amazing run on Breaking Bad, although film actor Jon Voight (Ray Donovan) is just the kind of guy the Foreign Press likes, and Corey Stoll (House of Cards) and Rob Lowe (Behind the Candelabra) gave terrific performances that should not be overlooked. Josh Charles also had a standout year on The Good Wife. Still, I think it will go to Aaron Paul when all is said and done.

We'll see how I do when the Golden Globes air Sunday at 7 Central time on NBC.

U of I's Dirden and Dickinson Go ALL THE WAY with LBJ (and Bryan Cranston)

Broadway World is reporting that University of Illinois alum Brandon Dirden will play Martin Luther King, Jr., opposite Breaking Bad's Bryan Cranston as LBJ in a new production of Robert Schenkkan's All the Way opening tonight at the American Repertory Theatre in Cambridge, Massachusetts

All the Way won Schenkkan the Steinberg/ATCA New Play Award last April, after it was performed as part of the "American Revolutions: The United States History Cycle" project at the Oregon Shakespeare Festival in the summer of 2012. Schenkkan has shown before that he likes to delve into American history; his Kentucky Cycle, which takes a dark look at the state of Kentucky from its beginnings to the late 20th century, won the Pulitzer Prize back in 1992. All the Way explores the journey of Lyndon Johnson, "a Shakespearean figure of towering ambition and appetite," as he came to power and then "hurl[ed] himself into Civil Rights legislation, throwing the country into turmoil." When they awarded the play their New Play Award, the American Theatre Critics Association called All the Way "an engrossing, epic" play and described Schenkkan's portrait of LBJ as "complex, obscene, brilliant and ruthless."

Cranston knows a bit about "complex, obscene, brilliant and ruthless" after playing high school teacher/drug dealer Walter White on AMC's Breaking Bad since 2008. He earned three Emmy wins in a row in the Outstanding Actor in a Drama Series category for that role. On film, you'll find him in Argo and Little Miss Sunshine, and his television appearances include six years as the dad on Malcolm in the Middle, a recurring role as dentist Tim Whatley on Seinfeld, and way back when, a stint as good guy Doug Donovan on the soap opera Loving.

Brandon J. Dirden has an MFA in acting from the University of Illinois at Urbana-Champaign, as does his wife, Crystal A. Dickinson, who will play Coretta Scott King in All the Way. Dirden won an Obie for his role as Boy Willie in The Piano Lesson at Signature Theatre and his Broadway credits include Clybourne Park, Enron and Prelude to a Kiss. Chicago audiences may remember him from Magnolia at the Goodman.

Dickinson starred in Clybourne Park both on and off-Broadway, and she did Broke-ology at Playwrights Horizon and The First Breeze of Summer at Lincoln Center.

Others of note in the cast of All the Way include Reed Birney as Humbert Humphrey and Strom Thurmond, Dan Butler as George Wallace and four other roles, Peter J. Fernandez, Dakin Matthews, Ethan Phillips, and Michael McKean as J. Edgar Hoover and Robert Byrd.