Showing posts with label Red Devils. Show all posts
Showing posts with label Red Devils. Show all posts

Friday, February 1, 2013

Got a Fever for Live Performance in February?

 I know it's hard to get used to the fact that it's 2013, but not only are we in a new year, we're now finished with January and dipping our toes in February. No, I'm not ready for Feb. But I'm trying to pretend I am, anyway!

Community Players' production of the operatically inclined farce Lend Me a Tenor finishes up its run this weekend. You have three performances left -- 7:30 pm tonight and tomorrow night or 2:30 pm on Sunday -- with tickets available here.

Red Devils, Debbie Horsfield's play about female football fans in Manchester, England, takes the stage inside the Melba J. Kirkpatrick Lab Theatre at IWU on February 4, 5 and 6, with all performances at 8 pm. Visiting Assistant Professor Christopher Connelly directs this gritty take on "working-class characters festering from a life on the dole, a life where soccer is the only activity to stir the imagination." That quote is from an LA Times review of the play from 1993.

Eureka College's production of Myth and Bricks, a one-act by Dustin Robert Blakeman, starts February 5, with performances through the 7th. Eureka College senior Jarrod Barth directs and stars in this look at a man, a brick and the relationship between the two.

In Bloomington, New Route Theatre opens Katori Hall's The Mountaintop on February 8, with Gregory D. Hicks starring as Martin Luther King, Jr. and Fania Bourn as the hotel maid he meets on the last day of his life, in a production directed by New Route Artistic Director Don Shandrow. The Mountaintop runs from February 8 to 24 at the theatre tucked inside the YWCA of McLean County. You can reserve tickets by emailing new.route.theatre@gmail.com or you can purchase them at the door on the night of performance. For more information, click here for the Facebook event page for The Mountaintop.

Grammy-Award winning a cappella group Sweet Honey in the Rock sings in celebration of the sesquicentennial of the Emancipation Proclamation at the Krannert Center for the Performing Arts in Urbana on February 9. This all-female vocal group shares "the legacy of African American music through jazz, hip hop, the blues, spirituals, rap, reggae, and gospel hymns." For the complete schedule of events devoted to that sesquicentennial celebration at the University of Illinois, click here.


Although Donald Margulies' Tony-nominated play Time Stands Still looks at love, marriage and commitment, it really isn't what you'd call romantic. Instead, photojournalist Sarah is wondering whether a safe, secure life with her longtime partner James can possibly mean as much as the time she's spent recording war and strife in the world's hot spots. Love? Career? Safety? Danger? Connection? Detachment? Which of these is the most important? Sandra Zielinski directs Time Stands Still for Heartland Theatre, with Cristen Susong as Sarah and David Krostal as James, in performance beginning February 14. Click here for ticket information and here for performance dates and times.

Illinois State University's spring theatre season begins February 21 with J.B., the allegorical verse play by Archibald MacLeish that tells the Biblical story of Job, but set in a circus. Yes, that's right. Job under the Big Top, with a balloon vendor and a popcorn guy standing in for God and the Devil. MFA director Matthew Scott Campbell is at the helm of this ISU production of J.B., with a cast that includes Tommy Malouf in the Job role, Andrew Rogalny, Jr., as the godly balloon man, and Matt Hallahan as the evil popcorn seller. J.B. runs through March 2 in ISU's Westhoff Theatre. Click here for event details.

As the battle between good and evil rages inside Westhoff, ISU's Center for the Performing Arts will host Oklahoma!, the Rodgers and Hammerstein cowboys vs. farmers musical with corn as high as an elephant's eye, a surrey with fringe on top, a girl who cain't say no, and all the attendant box lunches, square dances and souvenirs from Kansas City. Will Oklahoma become a state right before your eyes? Is there any doubt? For ISU, Richard Corley directs Christie Duffer and Robbie Holden as Laurey and Curley, the couple who might just be in love, in this Oklahoma! The show opens February 22 and closes March 2. To see a list of performance dates and ticket information, click here.
Oklahoma? OK!

Over in Urbana, the Station Theatre warms up with Stephen Karam's provocative Sons of the Prophet from February 21 to March 9. The play, which explores a hard-luck family who may be descended from Kahlil GIbran, author of The Prophet, was a finalist for the 2011 Pulitzer Prize. Longtime Celebration Company member Gary Ambler will direct Sons of the Prophet in the Station's cozy confines.

Liz (left) and Ann Hampton Callaway
On the 22nd, the University of Illinois' Krannert Center for the Performing Arts hosts sisters Liz and Ann Hampton Callaway and Boom!, their musical revue for Baby Boomers and everyone else who enjoys the song stylings of Carole King, Stevie Wonder, the Beatles and Joni Mitchell. Click here for more information.

Illinois Wesleyan is offering a little Shakespeare to brighten your February days, with As You Like It, the romantic comedy set in the Forest of Arden, playing February 26-28 and March 1-3 at McPherson Theatre. Assistant Professor Thomas Quinn directs.

And closing out the month, the Opera Program Series from U of I's School of Music presents a semi-staged concert version of My Fair Lady, featuring all the music and the dialogue from the Lerner and Loewe musical. You can see this concert, featuring the work of Eduardo Diazmunoz, Artistic Director and Conductor (as well as chair of the Opera program at U of I), director Ricardo Herrera, and choreographer Rebecca Nettl-Fiol on February 28 and March 1, 2 and 3. For more information about this My Fair Lady, click here.

Thursday, July 26, 2012

IWU Fills in the Spaces in 2012-13 Theatre Season

Illinois Wesleyan University's School of Theatre Arts announced most of its schedule for 2012-13 earlier this year, with all kinds of goodies in the works.

At that time, we knew about "A Shayna Maidel," Barbara Lebow's look at a Jewish family, which includes two sisters, one who escaped to America long ago and the other a Holocaust survivor; "9 to 5: The Musical," a fizzy stage version of the Dolly Parton movie hit about working women dealing with a sexist boss; Shakespeare's "As You Like It," which features one of his strongest and best heroines; and the annual faculty choreographed dance concert, all at McPherson Theatre.

For the E. Melba Kirkpatrick Lab Theatre, Shelagh Stevenson's "The Memory of Water," another sister play, this one about Irish siblings struggling with different views of their shared childhood, and "The Breach," by Catherine Filloux, Tarell McCraney and Joe Sutton, about New Orleans and its Hurricane Katrina woes, had already been released as part of the season.

Newly announced is "Red Devils," Debbie Horsfield's 1983 play about four female fans of Manchester United, the legendary British football team. These working-class women eat, sleep and breathe Manchester United, so when they score tickets to the Cup Final, all bets are off.

With Horsfield on the roster, IWU is offering a female-centric year, both in terms of playwrights and the themes explored in the plays. And that extends past the McPherson/Kirkpatrick season.

IWU Assistant Professor Scott Susong notes that he "will cover all three waves of feminism this season since I will be directing 9 to 5, the Music Theatre Society musical in concert 1944's Arlen/Harburg Bloomer Girl (a Celeste Holm vehicle) and the world premiere of All the Kids Are Doing It, book and lyrics by Kate Thomas and music by Joey Contreras (both fresh out of the NYU Graduate Musical Theatre Writing Program) for our Music Theatre Workshop."

You may recall a discussion of "Bloomer Girl" with regard to Celeste Holm's career here.  The musical involves one Evelina Applegate, a girl who doesn't want to wear the hoop skirts put together in her dad's factory, instead insisting she will only wear the radical bloomers invented to make women more mobile as they took on bicycling, tennis and other active pursuits not suited to a big old dress.

"All the Kids" involves gender and sex in the new cyber world, with a look at the kind of sexual and collegiate politics that keeps hitting the headlines at Jezebel and Gawker. You may recall one of those stories, one that involved a gender switch, when a Duke University student who happened to be female posted detailed accounts of her sexual encounters in an email to friends, who forwarded the saucy "thesis" to everybody they knew. Scandals involving male athletes hiring strippers or rating their sexual partners are nothing new, but this one, with a female behind the bawdy emails, was something different, creating a firestorm of controversy. Did the student's actions constitute harassment, invasion of privacy, bad taste, or just good fun, the same kind of hijinks men have been engaging in for centuries?

Joey Contreras, one of the creative minds behind "All the Kids Are Doing It," notes that this new show is a completely original piece inspired by, but not in any way connected to, the events at Duke or any other specific school. He writes that the musical focuses on, "an ambitious girl from a small town, determined to be a writer, but who suddenly finds herself nominated as 'The Ring Around Girl' -- the one who will be passed around sexually amongst the top campus fraternity brothers at Webb University. Desperate for material for her Senior Memoir class, she decides to turn the tables on the fraternity by using and exploiting their sex-fueled tradition as the focus of her piece, which ultimately finds its way online in the most damaging of ways. It absolutely touches on gender and sex issues in a cyber world, but beyond that, it also explores how young adults are constantly on a quest to fit in and stand out without realizing the possible consequences of their actions."

All in all, it sounds like Contreras and Thomas have created a very provocative piece that anybody who followed all those Jezebel and Gawker pieces is going to want to see.

To see the IWU School of Theatre 2012-13 season, including ticket information, click here.