In the play, personnel at the Cleveland Grand Opera Company are beyond excited to welcome famed tenor Tito Merelli to their company for a one-night-only performance of Verdi's Otello. Max, a lowly assistant to the opera's general manager, is given the job of making sure nothing goes wrong, but the larger-than-life tenor and his hot-tempered wife are quite a handful. There are added complications from everybody in Cleveland who wants to meet, sing with or get close to Merelli, from opera patrons to hotel staff and Max's girlfriend. As everything goes wrong, Max may have to don an extra Otello costume and sing the role himself. Oops!
Lend Me a Tenor is scheduled for performances from January 25 to February 3 at Community Players Theatre at 201 Robinhood Lane in Bloomington.
Embree will be looking for four men and four women to play the following roles:
MAX, 25-35. Assistant to Saunders who fancies himself a tenor.
MAGGIE, 25-35. Max's girlfriend and Saunders' daughter. She has a major thing for Merelli.
SAUNDERS, 50s-60s. Maggie's father, General Manager of the Cleveland Grand Opera Company.
TITO MERELLI, 40s-50s. A world-famous Italian tenor, known as Il Stupendo to his fans.
MARIA, 40s-50s. Tito's wife. She's fiery and passionate, and none too pleased with her husband's womanizing ways.
DIANA, 35-45. A sexy soprano who will do what it takes to get ahead.
JULIA, 55-65. Chairman of the Opera Guild. A grande dame.
BELLHOP, 20-35. He, too, is obsessed with Merelli, opera and getting into that hotel room.
1989 production starring Victor Garber as Max and Philip Bosco as Saunders, and a 2010 revival with Justin Bartha, currently starring on TV's The New Normal, as Max, Monk's Tony Shalhoub as Saunders and Anthony LaPaglia as Tito Merelli.
The play won Tony Awards in 1989 for Bosco (Best Actor) and Jerry Zaks (Best Director), along with a pile of Drama Desk Awards and Tony nominations.
For more about Community Players' production, you can visit the CP website here.
I was surprised to discover, last time I was in the Drama Book Store, that Ken Ludwig has written close to a dozen plays, most of them farcical comedies of this sort and most premiered away from New York -- one at Arena Stage, one at Signature, one at Cleveland Playhouse, etc.ReplyDelete
And several of them seem to have emulated the special curtain call format that was devised for "Lend Me a Tenor": the cast wordlessly re-enacts the plot in 2 minutes, to music. Some of them apparently do a variation, like showing the events in reverse order.
Weirdly enough, I haven't been able to find a published book for CRAZY FOR YOU. If you see it, nab it for me, okay?ReplyDelete
I needed it for a bibliography for a paper about twinning in comedy (Lend Me a Tenor and CFY were the only current scripts I could think of with that Comedy of Errors device) and couldn't find reference to a published libretto. I know it must be out there somewhere...
I actually think it may not have been published, aside from availability on rental for performance. This is not that unusual for musical-comedy books. The script of On the Town wasn't published till the 1990s, for instance.ReplyDelete